初级钢琴曲集_一万首著名钢琴曲谱哈农贝多芬合集视频教学电子版高清无水印可打印_1古典钢琴知名音乐家谱_巴赫钢琴谱全集

1.Minuet
A Study in accent and in the correct timing of half-beats.
J.S.Bach
Allegretto =138


1.                                  
   

  

   

  

7

                            
   
 
                       

13

                               


                

  
19
                                

                            

26 
                              
     

                                 

   
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Page 12.Minuet
A study in accent and in obtaining a proper balance of tone
J.S.Bach
Allegretto =189

2.                         

       

      
 
7
         
                 
                  

13
                         
       

                        
 
 
19

                                 


 

                                   
26 
      
                                  
 
                              
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Page 13.Minuet
A study in the arpeggio of the Common Chord(close position)
J.S.Bach
Animato
=207

                       
3.             
   


       
            
   
6    

        

               
 

                 
  
   

11
                                 


                    
   
  
17
                
              
 


 
                      
  

 
 
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No.3 Page 122
                                




                    
 

27

            c  resc.-    
    


        
          
 
 
31

                         


                    
 
 
36
                          
   
                  
  
  
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No.3 Page 24.Polonaise
A study in phrasing and in the correct timing of quarter-beats.
J.S.Bach
Moderato
=100

 
    
4.                             


                             
 

5
                                     

                       


9
 
                           
 
   


                      
 
13
   
                  
            dim.      
 

  
  
          
     
 
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Page 15.March
A study in syncopation and in keeping a steady beat throughout
Marcato J.S.Bach
5.                                




                        

5
 
  
  
                            
   

            
                
10                       
                                 

 
                          
14 
     c  r   es  c.                         d  im  .          



                            

18


    c  r  es  c.                                  



                   
      
 
      
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
Page 1      6.Minuet
A study in contrasting rhythmic patterns between the hands
J.S.Bach
Allegretto =138

     
6.                


                   
5
1. 2.
  
                   


1  0              




                    cres  c.   


                   
   
15


 
                    


              
   
20   
                          
         
           
(Note:6,7,8,after being studied separatle, may be grouped together to performance in the order 7,6,8)
 
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Page 17.Minuet
A study in legato playing,with careful balance of tone
Andante =120 J.S.Bach

                  
7. 


                    
 

5
 
   
       

           

     



 1  1                       
 
                   
  cresc.

1  5                 
 

                    



 2  0                     

                    


           w   ww.pi  n  gspiano.c   om        
Page 18.Minuet
A study in tone-values, the lower part to be slightly more prominent than the upper
Andante =120 J.S.Bach

  
8.               
   



                  
 
5

              

             

9  

  
           

  
                           
14
      
          

                         

                          
20


        
           
 
                     

www.pingspiano.com 
page19.March
A Study in Staccato touch, repeated notes and observance of rests.
Giocoso =116 J.S.Bach

            
9.                                                   
               
                

   
            

         
5
       

       
      
                                                     
   

                                
10    

                                                
   
         
     
 
                
14
        
        
                                                          

   
     
               
18        
         
                                           
     
          
  

 
                      
www.pingspiano.com    
Page 110.Minuet
A study in Phrasing , legato touch abd balance of tone
Andante =108 J.S.Bach


10.                       
     
 
         
 
   

5 1. 2. 
                            
     
   

   
                   
10         


 
                      

    

    

              
14
1.  2.

                                      
 
                                   
  
 
www.pingspiano.com
Page111.Musette
A study in sustained notes and quality of tone
J.S.Bach
Andante =108


11.                             
 

                     


5 
 
                                 c  resc  . 



                            

9
                               


                        
13


                          


                   

www.pingspiano.com
Page112.Bourree
A study in contrast of touch and independence of each hand
J.S.Bach
Vivace
=108



   
12.  

    

      
   
5                                                  

     
                  


 1  0                                                             
 
                        
 
 1  5                                                                 
 
                                              


 2  0                                           


cresc.    

  
  


 
                                                                 
  
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Page113.Musette
A study in broken octaves and in neat phrasing.
J.S.Bach
Allegro =112

  
            
13  .             
       
                            
6
     
 


              
                 
                           
       
12
 
 
   
 
 

          

        
 

 
            


18           
 
                               
    
  
   
                  
    
23        

 


   
                                    
                                       

   
www.pingspiano.com
Page 114.Minuet
A Study in expression, phrasing and beauty of tone.
J.S Bach
Larghetto
=96

14.  




            



       
6                         
  
                          
   


 1  1                       



                      
 
                  
15 

              cres  c.            
     
                     
20 
                 
    


      
            
  www.pingspiano.com
Page 115.Gavotte
A study in phrasing , gradating of tone and cantable playing
J.S.Bach
Allegretto =72

 
15.                               

 

                                   
4
       
                                    

                                       
    
9      
 
  
                                                                 
 

                   

13

  

 
                                                         
 
                          
 

17

                                      
                                         
 www.pingspian  o.com  
No.15 Page 121
                        
 


        
                        
24  
  

                                 





    
                                    
        
27

                                    



   

                                   
31         

                                 



         
                       
 
35         
   

 



            r  it.         



 
                                     
 
 
  No.15 Page 2   
 16.March
A study in the accurate timing of triplets and in steadiness of rhythm.
Allegro Moderato =69 J.S.Bach

16.                                      
    
                          
6     

             c   re  sc  .                                              
      

                                          
11             
                                      
     

 1  5                        
 
       c  re  sc  .                                
  




  


    
20                    
                                                
      



 2  4                             


                          c  res  c.                              

                          
            w  ww.  pingsp  i  ano.c   om            
Page117.Polonaise
J.S.Bach

17.                                                                          
 
                                       
6      
                                                                    
 
 
                                               
11     
   
          d  i   m  .                        c    re    sc   .                                       
 

 
                   
   
16     
   

           

 


 


 



  

 

         


 
                                     
20
    

                                                             
                                      
www.pingspiano.com
       
Page 118.Gavotte
J.S.Bach
18.

      d    olce                     

 
4                           1.      2  .   
 
 
  





     

        

 
9                                       

                               
 


 
 
1  3                                             
          c  re  sc  .                          
 


 
                     
17                  

                         
   cresc.

 2  1                                   
1. 2.

                                


 
             w  ww.p  ingsp  iano.com              
Page119.Polonaise
J.S.Bach
19.                                  


           
           
5   
  


     c  resc.                                  
                   
           
9 
                                                   
 

 
 
                        
  
14 

            
 
              

               
 
 
    

           

             

19
 
          

                

    

      

   

        

 

 

   
 


 

  


 

  





  



 
24     
            c  re  sc  .              r  it.     
     

                
       w  ww.pi  ngspiano  .co  m       
 Page120.Gavotte
J.S.Bach
                         
20.
 
                              


4
                                      



                      
 
   
 

8
1. 2.

                 
    

  

                                
  
11
              c  re  s  c  .                      




                     

www.pingspiano.com
No.20Page 115

                          


                    
  
    
19  

                                   
      
              

23     


                                        


                             
27 
                                         
                      
31
                                         
                   


No.20Page 2
21.Minuet
J.S.Bach

21.                      





  
               
       
5   
 


          


                            
8   



               
 
 


 1  2                         
 
                 
 


 
 17                                      
1.  2.
   

     

 



     



     
            
  

www.pingspiano.com
Page122.Polonaise
J.S.Bach
1

22.                                                                               
 
                                

5
                                                                         
  
 
    
    
                

  

 
 
 

9
                                                 


 
      
                                  
11
                                        
 
                                               
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No.22Page115

 

 
                                            
                                      


18

                  
                  
    

 



    




 

   
   
  
 


21

                                                                  

 
            
        
24

                                                        
 
     
    
             

   

No.22Page223.Gavotte
J.S.Bach
1

 
23.                                        
 
                             
5 


                                                    
 cresc. 


                                   
   
10
                                                  

                                 

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No.23 Page113
 
  



 
 




 
 


 



  
 
                




cresc.

 
                    

 

17

                                         
                                        
22


                                                 


  
                                         
No.23 Page224.Minuet
J.S.Bach

24.                                        
 

                 
5
 
      c  re  sc.  -  -                            


                      
9 


                        cre  sc  . -             
 

                 
13 
           d  im  .                               
 17                       
        
                               

                 
21
      c   res   c.-   -                             
 
 
                        
www.pingspiano.com   
Page 125.Scherzo
J.S.Bach
   
25.                              
  

                              
        
 
5    
 
 
 
                   cre  sc  .             
   
                 
              
 
9  

                            
   

 


                                      


14

 
                             

 
                                  
  
 
  www.p  ingspiano.com 
 
No.25Page 118

                                      
  
                                     

22


                              
 
 

                               



26
                                               

cresc.
                                      

30

 
                                         



                                                  
 



No.25Page 226.Sarabande
J.S.Bach
26.                                                             

 

 
            
  

4


     
                     c   r  es  c.                         
                  


7
 
          
                                             c   re   sc.
 

                
     
10    
  
  

                             
  

 
                                       
 www.pingspiano.com  
No.26Page113


        cr  esc   .                                   

 
  
              

     
            
16


 
                                          
  cresc. 


               

     
 
19
  
                                                                  
  


                      

22
    
                                                             
 
 



 

           
   


No.26Page227.Minuet
J.S.Bach
               

                 
27. 

                          

5
1.

     c   re  sc.                  


                          


9 
2.
                 
      
 

                     
  
 
13


                          

cresc.

                     
 www.pingspiano.com
No.27Page117
                              



                          
  

21
                                  

    
                
   

25

          
         cresc.

                           
    
29
                                    


                  
 


No.27Page228.Prelude
J.S.Bach
 
28.            

                  

 

    
                       
6 

                                           
cresc.


      


 
           







     
12 
 
                                                

                                    
 

17
 
 
        

  



                      




   
                    

www.pingspiano.com
No.28 Page 122
                                            


 

     
  
     

 







  
   
27
                                          

                                      



32
 
     

    





                             
   
                      
 
37
                                   



        
  
       
 
    
 

No.28 Page 242
 
  

                   

   
               


    
    
45

                                       

                                             

    
48


          



             
                        

  
52
  
                           

   
                         
 No.28 Page 3  