初级钢琴曲集_一万首著名钢琴曲谱哈农贝多芬合集视频教学电子版高清无水印可打印_1古典钢琴知名音乐家谱_巴赫钢琴谱全集

1.Minuet A Study in accent and in the correct timing of half-beats. J.S.Bach Allegretto =138   1.                                                     7                                                              13                                                         19                                                                 26                                                                               www.pingspiano.com Page 12.Minuet A study in accent and in obtaining a proper balance of tone J.S.Bach Allegretto =189  2.                                             7                                                 13                                                                 19                                                                             26                                                                             www.pingspiano.com Page 13.Minuet A study in the arpeggio of the Common Chord(close position) J.S.Bach Animato =207                          3.                                             6                                                             11                                                                 17                                                                      www.pingspiano.com No.3 Page 122                                                              27              c  resc.-                                    31                                                       36                                                         www.pingspiano.com No.3 Page 24.Polonaise A study in phrasing and in the correct timing of quarter-beats. J.S.Bach Moderato =100         4.                                                                 5                                                                  9                                                                13                                    dim.                                   www.pingspiano.com Page 15.March A study in syncopation and in keeping a steady beat throughout Marcato J.S.Bach 5.                                                               5                                                                         10                                                                                        14       c  r   es  c.                         d  im  .                                            18       c  r  es  c.                                                                          www.pingspiano.com        Page 1      6.Minuet A study in contrasting rhythmic patterns between the hands J.S.Bach Allegretto =138        6.                                       5 1. 2.                          1  0                                       cres  c.                              15                                               20                                                     (Note:6,7,8,after being studied separatle, may be grouped together to performance in the order 7,6,8)   www.pingspiano.com Page 17.Minuet A study in legato playing,with careful balance of tone Andante =120 J.S.Bach                     7.                            5                                       1  1                                                cresc.  1  5                                              2  0                                                         w   ww.pi  n  gspiano.c   om         Page 18.Minuet A study in tone-values, the lower part to be slightly more prominent than the upper Andante =120 J.S.Bach     8.                                            5                                 9                                                   14                                                                          20                                                 www.pingspiano.com  page19.March A Study in Staccato touch, repeated notes and observance of rests. Giocoso =116 J.S.Bach               9.                                                                                                                  5                                                                                                                     10                                                                                              14                                                                                                         18                                                                                                             www.pingspiano.com     Page 110.Minuet A study in Phrasing , legato touch abd balance of tone Andante =108 J.S.Bach   10.                                                 5 1. 2.                                                                  10                                                                 14 1.  2.                                                                                    www.pingspiano.com Page111.Musette A study in sustained notes and quality of tone J.S.Bach Andante =108   11.                                                         5                                     c  resc  .                                   9                                                            13                                                     www.pingspiano.com Page112.Bourree A study in contrast of touch and independence of each hand J.S.Bach Vivace =108        12.                     5                                                                                1  0                                                                                            1  5                                                                                                                      2  0                                              cresc.                                                                                     www.pingspiano.com  Page113.Musette A study in broken octaves and in neat phrasing. J.S.Bach Allegro =112                  13  .                                                   6                                                                                12                                                       18                                                                                  23                                                                                                    www.pingspiano.com Page 114.Minuet A Study in expression, phrasing and beauty of tone. J.S Bach Larghetto =96  14.                               6                                                               1  1                                                                       15                 cres  c.                                         20                                                 www.pingspiano.com Page 115.Gavotte A study in phrasing , gradating of tone and cantable playing J.S.Bach Allegretto =72    15.                                                                        4                                                                                            9                                                                                                      13                                                                                                  17                                                                                    www.pingspian  o.com   No.15 Page 121                                                                24                                                                                                 27                                                                                   31                                                                                    35                                r  it.                                                           No.15 Page 2     16.March A study in the accurate timing of triplets and in steadiness of rhythm. Allegro Moderato =69 J.S.Bach  16.                                                                       6                    c   re  sc  .                                                                                                  11                                                             1  5                                  c  re  sc  .                                                  20                                                                                 2  4                                                          c  res  c.                                                                       w  ww.  pingsp  i  ano.c   om             Page117.Polonaise J.S.Bach  17.                                                                                                                     6                                                                                                                                11                    d  i   m  .                        c    re    sc   .                                                                     16                                                                                                20                                                                                                            www.pingspiano.com         Page 118.Gavotte J.S.Bach 18.        d    olce                         4                           1.      2  .                                   9                                                                                 1  3                                                        c  re  sc  .                                                       17                                                 cresc.   2  1                                    1. 2.                                                    w  ww.p  ingsp  iano.com               Page119.Polonaise J.S.Bach 19.                                                             5              c  resc.                                                                   9                                                                                         14                                                                                        19                                                                                                       24                  c  re  sc  .              r  it.                                     w  ww.pi  ngspiano  .co  m         Page120.Gavotte J.S.Bach                           20.                                    4                                                                           8 1. 2.                                                                  11               c  re  s  c  .                                                  www.pingspiano.com No.20Page 115                                                            19                                                               23                                                                                 27                                                                   31                                                                 No.20Page 2 21.Minuet J.S.Bach  21.                                                       5                                                  8                              1  2                                                     17                                       1.  2.                                                  www.pingspiano.com Page122.Polonaise J.S.Bach 1  22.                                                                                                                    5                                                                                                                       9                                                                                                 11                                                                                            www.pingspiano.com No.22Page115                                                                                             18                                                                              21                                                                                              24                                                                                            No.22Page223.Gavotte J.S.Bach 1    23.                                                                         5                                                          cresc.                                            10                                                                                        www.pingspiano.com No.23 Page113                                                      cresc.                             17                                                                                     22                                                                                                    No.23 Page224.Minuet J.S.Bach  24.                                                              5         c  re  sc.  -  -                                                      9                            cre  sc  . -                                   13             d  im  .                                 17                                                                                    21       c   res   c.-   -                                                           www.pingspiano.com    Page 125.Scherzo J.S.Bach     25.                                                                             5                              cre  sc  .                                                     9                                                                                   14                                                                               www.p  ingspiano.com    No.25Page 118                                                                                   22                                                                          26                                                  cresc.                                         30                                                                                                         No.25Page 226.Sarabande J.S.Bach 26.                                                                                     4                              c   r  es  c.                                               7                                                           c   re   sc.                           10                                                                                         www.pingspiano.com   No.26Page113           cr  esc   .                                                                             16                                                  cresc.                             19                                                                                                    22                                                                                                No.26Page227.Minuet J.S.Bach                                    27.                               5 1.       c   re  sc.                                                  9  2.                                                        13                               cresc.                         www.pingspiano.com No.27Page117                                                                  21                                                                25                      cresc.                                   29                                                               No.27Page228.Prelude J.S.Bach   28.                                                                  6                                               cresc.                                       12                                                                                              17                                                                          www.pingspiano.com No.28 Page 122                                                                                   27                                                                                       32                                                                               37                                                                      No.28 Page 242                                                            45                                                                                               48                                                            52                                                                No.28 Page 3  