文档内容
Exercises
Preparatory
o^-ii\o
9 k>^\'^
for acquiring
the greatest possible independence and
evenness of the fingers
ALOYS SCHMITT.
Op. 16
Repeat each Exercise at least ten or twenty times,but omit the closing note until the final repetition.At first, prac-
tise each hand separately, then both together, always keeping the hands steady and quiet. Practise each Exerciseslow-
lyat first; increase the tempo graduallj' as the fingers acquire the necessary strength and flexibility.
It is advisable to practise these Exercises in the kej-s and without changing the fingering.
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Also praotlee Nos. 119 to \27sfuccatn. Y^^V^^''^^'^^y\^125. 126.
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13330
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The.se Exercises must be played, asoeuding- and descending',the whole extent of the keyboard.
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1333017
Exercises
For passing" the thumb under the fing"ers, preparatory to the practice of the
Scales and
Arpeg^g-ios.
At first,each hand separately.
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33: 1 F 1 i^P^^I
1333020
Appendix
Major Scales
A. Knecht
C major
r.h. 4 on b
1. h. 4 on d
r.h. 4 on/s 5t^5^
l.h.4 on a
r.h. 4 on c'S
l.h. 4 on e
4
V. h.
l.h. 4
r l . . h h . . 4 4 o o n n r / f 3 ; < > .C r ^ p t U t ^ f ' 4 ^ '• J ^ tfSJ| ' » 3 ^1 *
V^W
r.h. 4 on aS ^
^
l.h. 4 on ys ^ '
F^^^
r l . . h h . . 4 4 o o n n * a i \ > , f > r ^ h L^-* |'^ J J ^ ^
N.B. In the scales of B, F^, D^, F major and B, E^, B^, F minor, the thumbs of both hands fall on the
same
keys.
1333021
B'^ major 3 '1
1' 3
r.h. 4 on b\>
l.h. 4 on e\> J''jiJj^J,
^^m
r.h. 4 on A!,
l.h. 4 on g-
Harmonic Minor Scales
.A minor
3 ^1 1' 3 -^s-
£ minor ^ _ ^ q- 4-1 1 3 '1 4 Z^ 3
r.h. 4 on rf» ^ Jrit ^ fS
l.h. 4 on/I l J J-#L-^ 1, 3 1 a
minor
,B
r.h. 4 on P\f: J-^ 11
l.h. 4 i% i t
3j 1
1 3
1. h. 4 on /* :g -) tf J ^ ^ * ^ j«s^ ^J*^||__i^ 3 1 a 1 3 l1^^ ' ' J j ' * '' ^
H ^, 1 3
r.h. 4 on di -y H^J ^ Al
i
1. h. 4 on/» g^ ^^ rj j J * -^
4j 1
Git minor 3121^13
r.h. 4 on «« /W^h\
l.h. 4 on c« ^ H
Jz^
2 1
£!> minor (same as Dt minor) ^
^
3 1 1'
r.h
l.h
*^ ,1,4 3
1,
-.bB'*'" mmiinnoorr r-. ' 4' 3 4 L « L^ 1 q -^ n ,
4 ^
r.h.
l.h. 4 on^^ g^^ ^ • " • T j q J a 1 ^ - ; ^ H' y Ij ^ 3 g i^i , ^ f^n2 v= -d 'I" ^; ^ 1 J J 3 J T . " • 1=^
For scales in thirdh and in sixths the finger- etc.
ing given above is followed in all keys:
^3
2 '
1.333022
F minor
r.h. 4 on *!. "g{^r^
l.h. 4on^ ^9 " '^ *
—
r.h. 4 on* ^
,^
l.h.4 on rf -^fi^
G minor
r.h.4on/-« i y ^ "^ J^ l ^ T"
l.h.4 on o
r.h. 4 on c
l.h. 4 on e" iSl
Melodic Minor Scales
*A minor
r.T.h. . 4on^!! ^ 3 ii
l.h. 4 on d
^iallllllWI o i
^B minor
; . ^.8rf t^^w^
l.h.4on/| r J" ' J *
r.h. 4 on rfs
l.h.4 ony?
r.h. 4 on ai
l.h. 4 on c'n
minor
.E^- ,_ ^ 3 'I'^Tit^jttS^J^^l?*:^!?^ 3
^
r l . . h h . . 4 4o o n n ^! d , k T ^ *^^ f ^-^ y i^' S V j i J '' * r 1 f 1 * f 1 * ! —- ^ j ^ . h i 1 ' T ^ i s r H rr ^ * ' ^ "r '^ ^r — r r 1, 3 1 1 - " 'T " r i i j* ,r ,^ r * c 1 / I '! | 33 _ " g il 4, 1
2
13330r.h. 4 on A
l.h. 4 on ^•
r.h. 4 on yi
ff)
l.h. 4 on
r.h. 4 on
CO
l.h. 4 on ^
r. h. 13 3 5 12 4 5 134 5 Major Triads
1. h. 5 4 3 1 54 3 1 5 3 3 1
J^
CC mmaajjoorr 55 ^j4S 5 5 ^^^.^Ir^U^ 1 4?^^ 1 4**^2
^^ ^^
-G major_ _ ^.5 . ziJ ^ _ - ..«j!
4^ i*
D major o^
A major
^
E major 3
ti^gip^^ii
33
Ts^sa
-3 iri-*
5 " 5' 5 " 5
*) Where no fing-ering- is g-iven, follow U maj.or as a model.
N.B. The arpeg-g-ios are to be practiced also in all keys with the C major fing-ering-.24
^^
.5 *
Fff major , 1- i x Si .1^.
1^
s
'*»l24l^-_4
/'']ji:iuii^.i?^,jjiian%nrfr^i;^rfF^
.B^major„5 \ 1^ »5 z'* « *si_ ^^ -#• "* mf-hBrn.
-,
^
/rr\
^
i i i
if.-jjj?ii jj?;ii/;i:ii3iJ!;jy:: ^'frffrii,ii
5-5
3
^iiF m ^ ajor i 5 ^ip 2 ipS^^
i235 1245 1245 Minor Triads
r. h. 5421 5421 53»1
l.h.
1 4I4214 ,41 ^^l.''
^*4*^5*^^m*^J^2*42ml^ ^ m 454*'*^ 4 5^ 3 1^3 5
E minor3I
42
»
•42 5 ^ U^2 4
^rF"« mmiinnoorr =^ , « 5 <> 2 „ ^ 4 • ^^ - a 4 *^ i» ^ - * -* - - *44 _ ^ /.i^4i«-i4
#
f. 1
5^?4
*^ T42 54 UJfT* ti^ *.14 4#%
^G* minor ^ ,5 ,45 / ^ ^^ ?4j^ •l'«4
jr ^
^ rrr iji
J'- ? i i JJJ 1
^ i • j 2 j i f j 4 i 5 # j * ] 4 j 1 • • ' 4 1
*) Where no fing-ering- is g-iven, follow A minor as a model.
i:i:!.JOS5
D« minor 5 5 3± m
.B^
^mino^r m
^F minor 5 „^1 . z ±it mPr l^'m .9^1 ^ ^t^ 2 Li .-*-. ^
,G minor - ,5 2 3^ ,2^. m *^ 1 2i«^ •#* *
.D minor 3 5, .5 o 4 ^-^ # P -# p*^
Dominant Seventh- Chords
l. To be played up and down throug^h 3 octaves:
^'J^
,C major
^
ifriJliH:'j3flff'^-'J^^ '
- ik
S. To be played as broken chords, like C and f G 2maj.or4, w _ ith the same fing-ering- in all chords:
C major i^Tnad) 5 sfi'ia'*
5512^ G major _
1 — — r^m'
it 1 4'i t
j}i: i rij LL'.TJ:'Jj''
52l4i^ 5,1424 i ^^ifS «4l2l
4 e * * 5m
26
D ma r A major E major B Smajor F*Wmajo^r
j
t-^rU
«««: j-f#^ 4fc4
tt r^ %
f=9
Du^•" m m aajjou F I A g ' m ^ ajor E' major B'' —major F ma j r
i i? t^ t> I 3l p 3
3.(Chord of the Seventh
>
C major ^-—-p Tz 4 5 4 G major
etc. Nos- 2 and 3
keys with
saime
fingTering.
2 1_3_2
1 ^4 3
12
2 3 3 1 2
* Fingering- c is not repeated until the third octave. The fingerings a and b are the same in every octave.
1.133027
Chord
Passages
Major Triad 5 Z
^
5 < ' ' " 5
S
Cho
2
rd
4
of
5
th
1
e D
I
om
1
in
3 3
ant
?2
Se-ven.th4, , C 5maj1or32 1
•5
1312^
3 f—
1524 llaf
P
.S
S^
, ^ Q 4 3 5 1 sgg^a^ I h" h p— I I I --. r ^ p » ^ ^ 1
s 4 2 4 215 4« 2 1 15 3 e • * 1 - 4 5 ™- p 5 - 2 1 T f I 2 3 5 ^r-^ 3 4 5 2 4512 35 24 5 2 1 5 4 2 1
14
^ 2^2 k^. 5 2 i 2 f 1 5 4 1 5 2< 4^ 1 T»- 2 *• 1,
i
> 5 i 4 2 4 .1 5 23'^l 5- 15 2 4 5 1 4 2 5 3 ^ 5 14^
These Chord Passag-es have the same fing^ering- in all keys.
Scales in Double Thirds
N.B. The same fing-eringr is repeated through each additional octave.
Cmajot^ ^1*4 3 43 A minor
f) 11 22j 3 - I i 22 1 1 22 33 ^^^3_g 3'
r.h. 5 011^ r.h.5 on d
l.h. 4 on c l.h.5 on 6"
^li
i*-JSibs!a^
f2il*
^i
il^l?2ti?"y^
3d
r.h. 5 on 0? - 3 > ff ^^ .h.5 on d
^
l.h. Son rf ^ P P . h.5 on a
I pT 3 2 4 l 3, ? oJ l t- 3 ' *i ^- | ^L 3 5, 1 34 ^1 3 4 43,5 33. 43 ij - 2 * 3 "1 34
D major B minor fit?
ntlniitfiiii 4
,
—
a
5?
l^Laa ^-1
'3f-2r?.^4
3 2 1
r.h. 5 on a .h.5 onw;
l.h. 5 on o .h.5 ona9 • •:>l 2 ? 1 Q 3 K J 4 3 g 1 , zfTl^o*- J•^
*3
4
I:i33028
A major 4 ? 1 " 5 Ty4, 3 12 4
Pi#l
r. h.5 on e r.h.5 onft
l.h.5 on a l.h.5 on a
2
4
Cttminor i^4
?llil?t3i?ify ? ,4 2 , i 3 i X^ o ,3 1 4 2 5 3 2? & , ^ r b f =- | 4 ~. i 7 ~ 1 ^ 2 3
r.h.5 on d r.h.5 on d|
l.h.5 on a l.h.5 on a
llUTiihi
I3434j||34
i\)
Bmajor 43fff34
flii « T|3l^(^fl l^llt 3^
r.h.5 on/s r.h.5 on/^
I. h.5 onal J'.'".jlmjjll I l.h.5 on
;
I.h.5 onaj! •ffliH'fr'a.Hi l.h.5 ouc'l'
f'li'
4 3 43 343|53 4 |4'3«rT|'JTT;5| .
,5J* 3
D^ major
4 23 2 l ? f 2 ll 3 2 4 l 3 f , l 3 2 4 l 3 2 4 * ? p3 5 ^~~ 4 i B^minor r--? 3^ ? t ?t 3 3 54 2
r.h.5 on^!- r.h.5 on^l"
l.h.5 on b^ l.h.5 on b^
il34?3j3|lT23| 1 ?J4 34 35 34 3?l2
3liJii3 4 3 3 4,34
r.h.5 on^ r.h.5 on^
l.h.Son/ l.h.5 on/
3? 43 .u r?43 J 5 i 34 2 3 1 2 3
|i34^ 5,
C minor „ ^ 3 ^ 35 7~^
12 ^2
|_iJ^ "J 3 r*r-^i 1
r.h.5 on ^ r.h.5 on c
l.h.5 on c l.h.5 on c
r^''\ll\liTzJt ^? 2i1 4MrITi 3^I 4 3 1 i
04(51)4,.
B^ maj V o 4 r. 5 ^ 3 „ 4 I 8 1 4 2 3 1 4 2 3»';5-- 4 --., ru mi•no ^ r ^3 43 23 af 43,5-^
r.h. 5 on ^ r.h.5 on
.
l.h. 5 on^ l.h.5 on^
1 3 2 ^ 2 3 1 „
1 ^ 2 ^1 43,54545,11 3 1 4 2 3 5 3,4 '^ * 3434 ^
3
''"'^ ? J° t /3 y 4. f - t r 3 ^3 l r 3|3| 3 y 4 3 D min o o 4 I r ^ 3 J t T 1 l 2 ""? 3I 3 '3|2~4~- l ? l 4 3 1^ 4 3
f
r.h.5 on^
l.h.5 on/
^l3^ 1IT5T212I 2 3
54<», .q4'»34Q 3 4^ cL4^ 5
1333029
Chromatic Scale in Double Minor Thirds
N.B. The same fing-ering- is repeated throug-h each additional octave.
V3 43t 43'*
3 1
Chromatic Scale in Double Major Thirds
r.h. 5 on/& a* ^ -f^
Son* &yt
l.h.
—
^3 4 3 4 - l1_Z^ 4 3 i^-±_5, 3 4 "" 2i " 4
Chromatic Scaje in Double Minor Sixths
* 5 4 I "p
3
r.h. 3 on f & ^
l.h. 3 on e & « l2 Ifll
fl
3 5 4 ,5 4 3, 5 4
Chromatic Scale in Double Major Sixths
r.h. 3 on ctt & ^^t
I.h.3 on e\> & a\>
Chromatic Scale in Chords of the Sixth
4
f" I -* * 1 2 1 2
r.h. 3 on/& Al.
^ . o « 1 ,3 1 u!i.u! l1„3 , 1 2 . 3 , _
-2—
; ;if r irrJc
>>: i
Scale in Double Sixths
All major and minor keys with
the same
fing-ering"
•
2 1 i .1
or the following- fing-ering-:
r.h.3 on:ScHiRMER's Library
of Musical Classics
PIANO METHODS, STUDIES, AND EXERCISES
SERIES ONE
BEREINS, H. CRAMER, J. B.
L. 1070 Op.61. School of Velocity. 40 Studies. Complete.
The Same. L. 259, Bl<. I; L. 260, Bk. II;
L. 262, Bk. III.
L.504 Op. 70. 50 Pieces without Octaves. For Begin-
ners. —
L.508 Op. 79. 20 Children Studies without Octaves.
L.526 Op.88. The School of Scales, Chords, and Em-
bellishments. 28 Studies.
L. 1031 Op. 89. Training of the Left Hand. 40 Exercises
and 25 Studies.
BERTINI, H.
L. 137 Op. 29. 24 Studies. Preparatory to the Cramer
Studies (Vogrich-Buonamici).
L. 138 Op. 32. 24 Studies. A sequel to Op. 29. (Vogrich-
Buonamici).
L. 1.3« Op. 100. 25 Easy Studies. (Vogrich-Buonamici).
L.758 Op. 101. 24 Melodious Pieces.
L. 795 50 Selected Studies from Op. 100, 29, and
32. (Germer).
L.K91 Op. 166. 25 Primary Etudes. (Osterle).
L. 1588 50 Selected Studies from Op. 29, 32, 100,
134 (Buonamici-Cornell). Bk. I;
L. 1589, Bk. II. sp. e.
BIEHL, A.
L.530 Op. 30. The Elements of Piano-Playing.
L.497 Op. 44. 25 Easy and Progressive Studies. With
special reference to the left hand.
Bk. I; L.498, Bk. II.
BRAHMS,
J.
L. 1600 51 Exercises.
BRAUER, F.
L.494 Op. 15. 12 Studies for Development of Velocity.
BURGMULLER, F.
L.500 Op. 100. 25 Easy and Progressive Studies. (Oes-
terle). Complete.
The Same. L.977, Bk. I; L.978, Bk. II.
L. 755 Op. 105. 12 Brilliant and Melodious Studies. (Oes-
terle.
L. 752 Op. 109. 18 Characteristic Studies (Oesterle).
CHOPIN, F.
L. 1551 Etudes (Mikuli).
L. 33 Etudes (Friedheim.)
CLEMENTI, M.
L. 167 Gradus ad Parnassum. 100 Exercises.
(Vogrich). Bk. I.; L. 168, Bk. II.
L. 780 Gradus ad Parnassum. 29 Selected Stud-
ies. (Tausig).
L. 1112 The Same. sp. f. e.
L. 376 Preludes and Exercises in all the Major
and Minor Keys. (Vogrich).
CONCONE, G.
L. 139 Op.24. 25 Melodic Studies. (Oesterle).
L. 141 Op.25. 15 Studies in Style and Expression.
(Oesterle).
L. 140 Op.30. 20 Studies on the Singing Touch.
(Oesterle).
L. 1374 Op. 31. 15 Studies in Style. (Deis).
L. 226 Op.37. 24 Brilliant Preludes in all the Major
and Minor Keys. For Small Hands.
L. 1030 Op. 44. 15 Studies in Expression, (von Doenhoff)
L.25 30 Selected Studies. (Oesterle).m
ScHiRMER's Library
of Musical Classics
PIANO METHODS, STUDIES, AND EXERCISES
TWO
S E R I P: S
DORING, C. H. HENSELT, A.
L.651 Op.24. Exercises and Studies in Staccato Oc- L.44 Op.2. 12 Characteristic Concert-Studies.
tave-Playing. (Jonas).
L. 1035 Op.25. 8 Octave Studies. HERZ, H.
DUVERNOY, J. B. L. 170 Scales and Exercises. (Vogrich).
L. 316 Op. 120. The School of Mechanism. 15 Studies L. 1083 The same: sp. e.
preparatory to Czerny's "School of
JENSEN, A.
Velocity." (Klauser). Complete.
I,. 1292 .Op. 120. The same: Bk. I. L.763 Op.32. 25 Etudes. Bk. I.
L.50 Op. 176. Ecole Primaire. 25 Elementary Studies. L. 764 Op.32. The same: Bk. II.
L. 765 Op.32. The same: Bk. III.
GERMER, H.
L. 1279 Rhythmical Problems. KESSLER, J. C.
L. 1416 Op.20. 15 Selected Studies. (Deis).
GURLITT, C.
KOHLER, L.
L.798 Op.50. 24 Easy Melodious Studies.
L.801 Op.51. 24 Melodious Studies of Medium L.317 Op.50. First Studies. (Klauser).
Difficulty. L.543 Op.60. 20 Studies in Continuous Scale-and-
L.534 Op.82. The First Steps of the Young Pianist. Chord Passages.
Bk. I. L. 318 Op. 151. 12 Easiest Studies.
L.535 Op.82. The same: Bk. II. L.425 Op. 157. 12 Easy Studies. (Klauser).
L L . . 5 8 3 0 6 7 O O p p . . 8 8 3 5 . . T 24 he St E u a d s i i e e s st on Stu S d c i a e l s es in an V d elo A c r i p t e y g . gios. L L . . 1 4 9 8 6 0 O O p p . . 1 1 6 9 3 0 . . 1 T 6 he El V e e m r e y nt E a a r s y ies S t tud S i t e u s d . ies.
I>.539 Op. 100. 24 Octave Studies. L. 321 Op.242. Sh O o c r t t av S e c s h . ool of Velocity without
L.323 Op. 107. Bu S d t s udi a e n s d . Blossoms. 12 Melodious L. 1082 Op.249. Metodo Practico. sp. e. Bk. I.
L L . . 3 3. 2 3 4 9 O O p p . . 1 1 1 3 7 0 . . T 35 he Ea Fi s r y st St L u e d s i s e o s ns. without Octaves. L L . . 9 9 3 3 5 6 O O p p . . 3 3 0 0 0 0 . . T Pr h a e cti s c a a m l e: Me B t k h . od I . I. (Oesterle). Bk. I.
L. 206 Op. 131. 24 Melodious and Progressive Studies. KRAUSE, A.
L.326 Op. 141. School of Velocity. 24 Short Studies for L.553 Op. 2. 10 Trill Studies.
Beginners.
HABERBIER, E. KUHNER, C.
U. 191 Op.53. Etudes-Poesies. (Ruthardt). L.481 Sc t h a o r o y l G o r f ad E e t . udes. Bk. I: Lower Elemen-
Op.59. L.482 The same: Bk. II. Elementary Grade.
HANDROCK, J. L.483 The same: Bk. III. Lower Medium Grade.
L.299 Mechanical Studies. KULLAK, T.
HANON, C. L. L.475 Op.48. The School of Octave-Playing. Bk. I:
Preliminary School.
L.925 The Virtuoso Pianist in 60 Exercises. L.476 Op.48. The same: Bk. II: 7 Octave Studies.
Complete.
L. 1071 The same: Bk. I. KUNZ, K. M.
L. 1072 The same: Bk. II. L.939 Op. 14. 200 Short Two-Part Canons. For the
L. 1073 The same: Bk. III. Beginner.
L. 1081 The same: sp. Complete. LE CARPENTIER, A.
HELLER, S. L. 1133 A Piano Method for Children, sp. e.
L. 179 Op. 16. Th S e tud A i r e t s. of Bk P . hr I. asing. 26 Melodious LE COUPPEY, F.
L. 180 Op. 16. The same: Bk. II. L.430 Op. 17. The Alphabet. 25 Very Easy Studies.
L. 176 Op.45. 25 Melodious Studies. Complete. (Scharfenberg).
i L L . . 1 1 1 7 1 7 7 O O p p . . 4 4 5 6 . . T 30 he Pr s o a g m r e e : ssi B v k e . S I. tudies. Complete. L.67 L'. M A e gi c l h it a e n . is 2 m 5 P a r n o d gre L s i s g i h v t e T S o t u u c d h i . es for
L L . . 1 1 1 78 20 O O p p . . 4 4 6 7 . . T 25 he St s u a d m i e e : s B f k o . r I R . hythm and Expression. 15 "Sc P h r o e o p l ar o a f to V r e y loc S i t t u y d " i . es to Czerny's
Complete.
A L. 1123 Op.47 The same: Bk. I. Etudes Enfantines. (Scharfenberg).
L. 1.30 Op.81. 24 Preludes.
A L. 748 Op. 119. 32 Preludes. (Ocsterle).
A L. 766 Op. 125. 24 Studies for Rhythm and Expression. 6 Grand Etudes after N. Paganini.
(Scharfenberg). (Gallico).
A L. 24 50 Selected Studies from Op. 45, 46, 47. 12 Etudes d'execution transcendante.
(Oesterle). (Gallico).
A
A
IScHiRMER's Library
of Musical Classics
PIANO METHODS, STUDIES, AND EXERCISES
SERIES THREE
LOESCHHORN,
L.1616 Op.62. 20 Melodious Studies.
L.966 Op.65. Studies for the development of Technique
and Expression. Part I: For Beginners.
Complete.
L.310 The same: Bk. I.
L.311 The same: Bk. II.
L.312 The same: Bk. III.
L.967 Op.66. The same: Part 11: For the Intermediate
Degree. Complete.
L.968 Op.67. The same: Part III: For More Advanced
Pupils. Complete.
L.1615 Op.169, Universal Piano Studies. For Medium
170. Grade.
L.254 Pianoforte Technics. Daily Exercises.
LOW, J.
L.913 Op.281. OcUve-Studies.
MACFARREN, W.
L. 1037 Scale and Arpeggio Manual.
MENDELSSOHN, F.
L.1523
I
