专题07 语法填空
主题01 人与社会
Passage 1
（2026·吉林·二模）
In the clear morning light, a group of children practice 1 (foundation) movements of Chinese martial
arts in the school courtyard. They attend the Comunidad Educativa Chino Boliviana Sariri in La Paz, Bolivia, a school
that has made cultural 2 (integrate) its feature, combining the philosophy of the Andes with the wisdom
of China.
3 (establish) in 2016, the school has a clear mission: to recover and honor native cultures, particularly
Aymara, while promoting Chinese cultural learning 4 a bridge to broader global understanding. “We
believe it is very important for Bolivia to recover its culture as a country, because culture is 5 values are
found,” said school director Cecilia Pinedo in an interview. To her, the school is “a seed of identity” for future
generations.
Speaking about this process of cultural recovery, Pinedo highlights the inspiration the school draws from
China. “For us, China is an example 6 (follow), because China has been very strong in preserving its
history, its language and its culture. We believe China is great today because it has never lost its cultural 7
(root),” she said.
Students say this education has shaped them 8 (deep). Thirteen-year-old Oscar Huanacuni, who has
practiced martial arts for years, said the most important lesson he has learned is: Never give up. Even when your
whole body hurts, you must keep going. Sixth-grade student Luciana Ceballos, who 9 (travel) to China to
participate in international martial arts competitions, recalled the beauty of the country and
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warmth of its
people. “We would love to return,” she said.
Passage 2
（2026·哈师大附中·二模）
The mascots of the 2026 Spring Festival Gala have become a hot topic among audiences for their rich cultural
meanings. The Spring Festival Gala, an annual celebration produced and broadcast by China Media Group, 1
made its first broadcast in 1983, is one of the most-watched TV shows 2 (air) on Chinese New Year’s
Eve.
The four bright and
3
(live) mascots — Qi Qi, Ji Ji, Chi Chi, and Cheng Cheng — stand for the
gala’s theme “Qi Ji Chi Cheng, Momentum Unstoppable”. The mascots’ designs, along with the core creative
concept, 4 (root) in China’s classical images of horses across different dynasties. 5 makes them
meaningful is their symbolic meanings of success and prosperity, as they represent 6 bright future and
“achieving success” while running toward new horizons.
The first mascot, Qi Qi, takes its design from a horse-shaped bronze zun, a relic which 7 (serve) as a wine
container in the Western Zhou Dynasty. Its smooth, dignified form and elegant dark blue-black color show the horse’s
role as a symbol of honor and grace in ancient China. Ji Ji draws 8 (inspire) from a Han Dynasty bronze
horse statue, whose wide-spread wings in flight symbolize vitality 9 a firm spirit of moving forward,
ready
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(face) new challenges. Chi Chi represents the well-known tricolor horse from the Tang Dynasty.
Cheng Cheng is modeled after the world’s only remaining wild horse species.
Passage 3
（2026·辽宁鞍山·二模）
Carved lacquer (雕漆) is one of the ten major crafts of Yangzhou lacquerware, 1 originated in the
Warring States period, flourished during the Han and Tang 2 (dynasty), and reached its peak in the Ming
dynasty.
Over more than 2000 years of historical 3 (evolve), this ancient craft has withstood the test of
time, 4 (continue) to express the essence of Eastern beauty-appreciation through its distinctive artistic
language. The production process is extremely complicated and 5 (strict) controlled. The entire process 6
(involve) more than a hundred steps, including drawing, lacquer preparation, painting, carving, and polishing.
In the Yangzhou 48 Intangible Cultural Heritage center, Zhang Laixi, a master of Chinese arts and crafts and
an 7 (establish) expert in carved lacquer, has played a key role in creating award-winning works “A
Glimpse of the River and Sky”. The primary beauty of this art lies 8 the captivating color. Zhang explained
that red mineral pigments (颜料) are prized for their high stability 9 long shelf life. Over the years, his
mastery of the craft has reached a level of exceptional refinement.
The elegance of carved lacquer
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(pass) down for thousands of years. On the global stage of the
new era, this ancient art is once again shining with radiant brilliance.
Passage 4
（2026·内蒙古呼和浩特·二模）
The peony (牡丹), often 1 (refer) to as the “king of flowers”, holds a valued place in Chinese culture
and history. Its colors and fragrance 2 (inspire) poets, artists and scholars over the centuries. More than
3,000 peony poems have survived to this day, as well as 3 (count) songs, essays and literary stories. The
enduring legacy of the peony is integrated into Chinese society, symbolizing the country’s rich artistic traditions and
deep 4 (appreciate) of natural beauty.
Heze, in Shandong province, is celebrated 5 the “peony capital of China”. 6 (current),
Heze boasts more than 1,200 varieties, covering many color series and flower types, making 7 the world’s
largest base for peony breeding, cultivation and research. 8 (provide) visitors with a deeper understanding of
peony culture, local authorities have launched immersive experiences themed on peonies and ancient celebrities.
Wandering in the garden, visitors can “travel through time” and appreciate the charn of peonies by meeting with
legendary 9 (figure) such as Yang Guifei, Li Bai and Xi Shi, 10 (listen) to their legendary
stories and enjoying an amazing garden experience.
Passage 5
（2026·内蒙古乌兰察布市·二模）
Have you been to the Plum Blossom Ancient City? Located in Fuzhou’ s coastal district of Changle, the Plum
Blossom Ancient City, 1 (date) back to the Ming and Qing Dynasties, used to serve 2 a crucial
coastal defense stronghold. Its well-preserved city walls, built with large stones, stand as a testament to the remarkable
architectural skills of ancient times.
The city showcases Southern Fujian architectural styles, featuring red-brick walls and curved roofs. The Linwei
Palace, 3 was built during the Jiajing era of the Ming Dynasty, is a place of cultural and religious 4
(significant). It encourages many visitors 5 (explore) the local traditions and beliefs. Winding stone paths
lead visitors past tea houses to halls, where 6 (local) practice traditional customs.
Winter Plum Festival, 7 annual event, highlights puppet shows and seafood feasts. Visitors can taste
“plum blossom honey wine,” 8 (make) with ancient methods. Modern upgrades like solar-powered lights
protect heritage from harming 9 (it) charm.
Up to now, the Plum Blossom Ancient City 10 (become) a popular tourist destination, presenting
tourists with its history, culture and natural beauty.
主题02 人与自我
Passage 1
（2026·内蒙古·二模）
Recently, “Cool China” has emerged as a new label used by many Western media outlets like Reuters and The
New York Times 1 (describe) the country. This concept doesn’t emerge from a top-down promotion, 2
is it produced by foreign media. Rather, it grows out of the genuine reactions of the overseas public, especially young
people, 3 , after looking beyond layers of “filters (滤镜)”, are eventually seeing China as it is. According
to Nie Shujiang, an associate professor of China University of Political Science and Law, “Cool China” is 4
(essential) the result of Chinese modernization development over the years.
The rapidly-evolving technologies, including open-source model DeepSeek, Huawei’s tri-fold smartphones,
urban drone-delivery networks, and a well-developed new energy vehicle infrastructure, 5 (become) an
important part of daily life in China in recent years. Meanwhile, the contemporary creativity of Chinese culture forms
another core dimension of 6 makes China “cool”. The Chinese top video game “Black Myth: Wukong”
sold over 10 million units globally in three days, Labubu dolls caused long queues on the streets of London, and
Chinese cross-border e-commerce live streams and micro-drama exports have reached a large scale, all of which
underscore China’s 7 (rise) cultural influence.
A cool China is awakening global interest in rediscovering China, significantly enhancing the international
8 (visible) and positive opinions of Chinese culture. We look forward to more international friends breaking
through the information cocoons (茧) 9 (create) by algorithms, personally experiencing an open and
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(innovate) China, and expressing that heartfelt admiration — “China is Cool!”
Passage 2
（2026·辽宁·二模）
The “city walk,” a new trend sweeping through China’s urban youth, involves wandering aimlessly through
city streets to explore their surroundings at a leisurely pace. 1 traditional tourism, which focuses on famous
landmarks and packed schedules, the city walk is about discovering the unexpected and immersing 2 (one)
in the local atmosphere.
This phenomenon reflects such 3 deep-seated desire among young people to reconnect with their
cities on a more personal level. After years of being glued to digital screens, many are seeking authentic experiences
and a slower pace of life. They wander through old hutongs, stop at small, independent coffee shops, and observe
the 4 (day) lives of residents. It’s a form of urban exploration that values process over destination.
Social media has played a significant role in popularizing this trend. Platforms like Xiaohongshu (Little Red
Book) 5 (flood) with carefully organized “city walk” routes and photos by enthusiastic users, inspiring
others to grab a camera and head out. The appeal lies not just in the walk 6 in the possibility of capturing a unique,
shareable moment-a beautiful shadow on a wall, a cat sleeping by a doorstep.
For many, it is also a mindful practice. Without a fixed destination, city walkers are more present and attentive to
their environment. They notice architectural details, listen to the sounds of the city, and breathe in the 7 (mix) of
street food and autumn leaves. This simple act of walking becomes a form of meditation, 8 (offer) a break
from the constant pressure of work and study.
9 the city walk is a temporary escape or a lasting lifestyle change, it highlights a growing appreciation
for the beauty in the everyday life. It reminds us that you don’t need to travel far
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(find) wonder;
sometimes, it’s right there on your own block.
主题01 人与社会
Passage 1
（2026·吉林长春·二模）
Over the past period, overseas social media platforms have witnessed an explosion in the “Becoming Chinese”
trend, with many foreign bloggers imitating Chinese habits such as drinking hot water and practicing Baduanjin.
Afterward, this trend 1 (far) developed into “Chinamaxxing”, as foreigners began to fit in with Chinese
lifestyle by engaging 2 behaviors like wearing indoor slippers, cooking with rice cookers, and avoiding
raw and cold foods.
CNN reported that the trend is driven not just by the rapid 3 (grow) of China’s economic strength,
but more importantly by the fact that Chinese culture itself is simply “cool.”
Videos 4 (feature) China’s shining skyscrapers and high-speed trains frequently top social media
trends, drawing attention and heated discussions among young American netizens. Meanwhile, China’s rapid advances
in electric 5 (vehicle) and green energy have also become a hot topic overseas.
6 (additional), a report by CNN cited analysis from Harvard University researchers, saying that in
recent years, China’s video games, films and other such works 7 (reshape) the cultural imagination of
China among Americans and even the entire Western world. A previous report was published by BBC, 8
also mentioned that on social media, “Chinamaxxing” is gaining popularity in the West.
It was also 9 (state) on Time magazine’s website that since the start of this year’s Chinese New
Year, a considerable amount of content online has introduced Chinese culture. Even some American social media
users identify 10 (they) as “Chinese”, embracing “Chinese era” or “Chinamaxxing”. The trend reflects a
growing fascination with China as the country opens up and rises in soft power.
Passage 2
（2026·辽宁沈阳·二模）
A Chinese musical work was introduced to European audiences. Violinist Lyu Siqing and the Major
Ensemble (乐团), a group of young Chinese musicians, 1 (tour) five European countries, performing The
Four Seasons of China by young Chinese composer Wen Ziyang.
The tour marked the first European performance of the piece, symbolically 2 (mirror) the work’s
own cycle from winter into spring. Lyu used the violin as a highly expressive instrument 3 (capture) the
piece’s full emotional range, from the energy of spring to the 4 (quiet) of winter.
The Four Seasons of China is a deep cultural expression. Wen, 5 spent a year crafting the piece,
was inspired by Antonio Vivaldi, 6 Italian violinist. But his ambition extended far beyond copying the
West. He sought to translate the essence of Chinese agricultural life and its connection to natural cycles into sound.
In Hungary (匈牙利), the tour saw a 7 (remark) integration of Eastern and Western traditions. Local
musicians joined the ensemble, and the concert featured a Hungarian music of the same theme, The Hungarian Four
Seasons, 8 (perform) alongside the Chinese work. Lyu sees this as a significant moment for Chinese music,
showing its future 9 the global stage — a future where works with Chinese culture and philosophy can
stand
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(proud) alongside Western masterpieces.
Passage 3
（2026·黑龙江齐齐哈尔·二模）
More than 1,200 Tai Chi practitioners from nine countries and 10 Chinese provincial-level regions gathered at
Wuyi Mountain, 1 World Heritage site of the United Nations Educational, Scientific and Cultural
Organization (UNESCO), with the aim 2 (celebrate) UNESCO’s first International Taijiquan Day at the
main event.
UNESCO established March 21 3 the annual International Taijiquan Day at the 43rd session of the
UNESCO General Conference in Uzbekistan on Nov. 5, 2025.
Lidia Brito, UNESCO’s Assistant Director-General for Social and Human Sciences, 4 (remark) at
the meeting that Taijiquan illustrates how traditional sports and games can 5 (effective) promote peace
and serve as a bridge between people and across generations.
This represents the first time a martial art has been recognized with an official international day within the
United Nations system, showing Taijiquan’s 6 (significant) as both an intangible (非物质的) cultural
heritage and a global fitness practice 7 (favor) worldwide.
“The date choice around the Chinese solar term Chunfen conveys Tai Chi’s core value: the pursuit of dynamic
balance between life and nature,” said Ekarat Janrathitikarn, dean of the Maritime Silk Road Confucius Institute in
Thailand, who 8 (practice) Taijiquan for nearly 10 years.
Janrathitikarn calls himself a devoted fan of Tai Chi. “The school introduced Taijiquan into 9 (it)
courses a year after its founding in 2015. Through the course, students not only learn the exercise but also better
understand the Chinese ways of thinking,
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many former students said has led to their career success,” he
said.
Passage 4
（2026·辽宁朝阳·二模）
A wave of enthusiasm for Chinese intangible cultural heritage (非物质文化遗产) is sweeping through the
foreign student community in Hefei, Anhui province. Currently, nearly 3,000 international students are studying at
Hefei’s universities, 1 over 50 percent of them attending various intangible cultural heritage courses
2
(offer) by 14 institutions.
Wallace Liew Anak Jeman, a Malaysian student at Anhui University of Chinese Medicine, is majoring in
traditional Chinese medicine. In his spare time, he is 3 (passion) about Chinese kung fu. “Kung fu
originated in China. 4 (grasp) its essence, one must come here and get professional training from
Chinese 5 (master),” he explained.
So far, Hefei University of Technology 6 (design) a series of cultural electives featuring paper-
cutting, calligraphy, martial arts and traditional Chinese painting for its 202 international students from 47 different
nations.
“What I do is not about creating new content, but about passing on knowledge and techniques,” said Zhong
Yan, a teacher from Hefei University of Technology. Xi Zhiyang, 7 inheritor (继承人) of Huizhou paper-
cutting, expressed his 8 (satisfy) with the works created by foreign students. “I am very pleased with their
creations. This demonstrates that traditional Chinese culture can be shared 9 (global),” he remarked. “
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matters is not who we pass our intangible cultural heritage on to, but that it continues to be passed down,”
he said.
Passage 5
（2026·辽宁·二模）
A recent Wing Chun master class drew over dozens of martial arts ( 武术) enthusiasts, many of 1
have developed a passion for this Chinese martial art for decades. Erik Batstra, head instructor at the Wing Chun
Kung Fu Association of the Netherlands, was among the attendees.
Batstra began practising Wing Chun at 18
2
has devoted himself to it since 1981. “When I came in contact
with Wing Chun, it became my life’s passion,” he said. This martial art is known for its close-quarter combat (搏斗) and
rapid punches.
3
(found) in 1974, the Dutch association concentrates on the Wong Shun Leung lineage (世系) of
Wing Chun, which emphasizes
4
(efficient) and directness. Wing Chun is also recognized
5
part
of China’s national intangible cultural heritage.
Sebastiaan Kas, a 51-year-old practitioner, has committed to Wing Chun since 2006. His interest
6
(raise) by childhood martial arts films
7
(feature) legends like Bruce Lee and Jackie Chan. “Watching
those films, I always said, ‘That’s what I want to do,’” he recalled. Kas said Wing Chun has
8
(great)
changed his life, providing mental and
9
(physics)strength.
During the master class, Kas shared his dream of visiting the South Shaolin Temple in Fujian, China,
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birthplace of Wing Chun. “It’s like a dream for me. I’m really looking forward to going,” he said.
Passage 6
（2026·黑龙江哈尔滨·二模）
The Jade Burial Suit (金缕玉衣), also known as The Jade Fastened with Gold Threads, dates back to the
Western Han Dynasty (202 BCE–8 CE) and
1
(preserve) in the National Museum of China. With a total
length of 1.82 meters, it once belonged to Liu Xiu, Prince Huai of Zhongshan,
2
was a descendant (后代)
of Liu Sheng, owner of the famous Mancheng Han Tomb in Hebei Province.
3
(consist) of 1,203 jade plaques, the suit includes a head covering, a face mask, sleeves, gloves,
trousers legs and foot coverings. It is held together with about 2,567 grams of gold thread, making it
4
(luxurious) than most funerary objects found in Han tombs. The ancient Han people firmly believed they could live
forever after death and that jade could prevent bodies from decaying. These
5
(belief) were widely held
among nobles,
6
later facts proved them wrong.
This suit was
7
(extreme) expensive, equal to the wealth of 100 middle-class families at that time,
8
fortune in modern value as well. Even a single jade piece was a great value to ordinary people. As the practice
was too costly, Cao Pi, son of Cao Cao, later
9
(ban) such jade burial suits. Today, it is thought of
10
a
treasure, showcasing the high level of ancient Chinese craftsmanship.
主题02 人与自我
Passage 1
（2026·黑龙江·二模）
Since March, the hashtag TianshuiMalatang, referring to a popular type of street food,
1
(receive)
more than 140m views on Weibo, a social-media platform.
Look back a few hundred years, though, and chillies (辣椒) were nowhere
2
(find). Unlike ginger and
Sichuan peppers, which are native
3
the region and widely used, chilli peppers were brought to China from
America by Portuguese and Dutch explorers only in the 16th century.
At first, nobody ate them. For at least 50 years, they were grown as decorative plants, prized for their cheerfully
bright colour and tiny white flowers, and
4
(occasion) used as medicinal herbs. During China’s last
imperial (皇朝) period, a system
5
taxed salt forced farmers in Guizhou province to look for
6
alternative.
They chose chillies, which produce several crops a year and take up little land. From there, a new flavour
7
(unlock).
The pepper steadily spread to other rural areas of China,
8
its overpowering flavour prevented it from
getting near the tables of urban families. With the industrialisation, hundreds of millions of people poured into big
cities,
9
(bring) with them the spicy flavours of home. Chillies are now used in street food, fine dining and
snacks in
10
(region) with little tradition of heat.
