【灿烂六月 · 高考金8 卷】
备战2026 年高考英语模拟卷（上海卷05）
（笔试部分：115 分）
II.
Grammar and Vocabulary （每题1 分；共20 分）
Section A
Directions: After reading the passage below, fill in the blanks to make the passage coherent and
grammatically correct. For the blanks with a given word, fill in each blank with the proper form of
the given word; for the other blanks, use one word that best fits each blank.
One afternoon, Martin Blake, a wheel chair user and travel writer, arrived at a small cruise
dock expecting the familiar difficulties usually accompanying travel. Over the years, he 1
(learn) to allow extra time, anticipate confusion and prepare himself for unwanted attention. This
time, however, the experience unfolded differently. A ramp had already been positioned, and
boarding 2 (proceed) quietly, without explanation or delay, allowing him to enter the
ship 3 .
The ship felt unlike the large liners Blake had long avoided. Smaller in scale, it offered
wide passageways and open spaces 4 made movement easier. What struck him most,
though, was not the design but the behaviour of the crew. They remained nearby but never rushed
forward, 5 (step) in only when help was clearly needed. This restraint, rare in his
experience, made the assistance feel respectful 6 __________ disturbing.
As the journey continued, the pattern held. Meals were served in spaces that 7 be
reached independently, and daily activities allowed for flexibility. Short excursions were planned
with multiple options, enabling passengers to decide how much support to accept. Blake gradually
relaxed into routines that usually required constant adjustment, gaining insight 8 how
thoughtful planning could reduce unnecessary stress.
Looking back, he realized expectations had shifted. Accessibility was treated not as 9
added feature or favour, but as part of ordinary travel. Physical limits remained, yet explanation
became less necessary, it no longer seemingly required 10 (repeat). On a ship shaped by
careful choices, independence felt natural, dignity preserved through quiet details.
【答案】
1．had learned/had learnt 2．proceeded 3．himself 4．that/which 5．stepping
6．rather than/ instead of 7．could 8．into 9．an 10．to be repeated/repeating
【导语】本文是一篇记叙文。文章通过讲述轮椅使用者马丁·布莱克的一次无障碍邮轮旅行
经历，展现无障碍设计与人文关怀如何提升残障人士的出行体验。
1．考查时态。句意：多年来，他已经学会留出额外时间、预判混乱情况，并为不必要的关
注做好心理准备。空格处是谓语动词，文章描述的是过去发生的事，结合时间状语Over
the years 可知，此处应该用过去完成时，表示“过去的过去”，即“在到达码头前就已学
会”。故填had learned/learnt。
2．考查时态。句意：舷梯早已放置到位，登船过程安静地进行，没有解释也没有延误，让
他得以独自进入船舱。空格处是谓语动词，句子描述过去发生的事，应该用一般过去时，
proceed 的过去式是proceeded。故填proceeded。
3．考查代词。句意同上。根据上文的without explanation or delay 可知，此处强调“他独自
进入船舱”，所以应该用反身代词himself。故填himself。
4．考查定语从句。句意：它规模更小，设有宽敞的通道和开放空间，这些让行动更加轻松。
空格处引导定语从句，修饰先行词wide passageways and open spaces，关系词在在句中作主
语，所以应该用关系代词that 或which。故填that/which。
5．考查非谓语动词。句意：他们待在附近却从不贸然上前，只在明确需要帮助时才介入。
空格处应该用非谓语动词作状语，动词step 与其逻辑主语they 之间是主动关系，所以用现
在分词stepping 作状语。故填stepping。
6．考查介词短语。句意：这种克制在他的经历中很少见，让帮助显得充满尊重而非打扰。
前后对比“尊重”与“打扰”，根据空格前后的名词，空格处应该用介词或介词短语，且
意义为“而不是”，所以用rather than 或instead of。故填rather than/instead of。
7．考查情态动词。句意：餐食供应区可以独立到达，日常活动也具有灵活性。根据空格后
的动词原形be 可知，空格处应该填入一个情态动词，且意义为“能够”，结合句子描述过
去发生的事，此处应该用could。故填could。
8．考查介词。句意：布莱克逐渐适应了那些通常需要不断调整的日常安排，并洞察到周到
的规划如何能减少不必要的压力。insight into“洞悉；了解”是固定搭配。故填into。
9．考查冠词。句意：无障碍设施不再被视为一项额外特色或恩惠，而是普通旅行的一部分。
根据空格后的单数名词feature or favour 可知，空格处应该用不定冠词表示“一”，added
发音是元音音素开头，所以用an。故填an。
10．考查非谓语动词。句意：身体限制依然存在，但解释变得不那么必要了——似乎不再
需要重复解释。require to do 是固定搭配，动词repeat 与其逻辑主语it 之间是被动关系，此
处应该用不定式的被动语态。require doing=require to be done，所以空格处也可以用动名词
repeating 作宾语，主动形式表被动含义。故填to be repeated/repeating。
Section B
Directions: Fill in each blank with a proper word chosen from the box. Each word can be used
only once. Note that there is one word more than you need.
A．persisted B．recognized C． contradicting D．unquestionably E. practical
F. deliberately G. equipment H. limit I. underlying J. medium K. captured
Fine art involves the application of skill and-imagination to produce aesthetic experiences.
Photography is regarded by some as a form of fine art because it entails creative decision-making
processes similar to those 11 painting or sculpture. Nevertheless, photography cannot
be 12 classified as art, because despite certain-similarities, a fundamental difference
remains between creating images by hand — using paint, clay or other tools — and pointing a
mechanical device at something interesting and clicking.
It is arguable that photography can be appreciated on the same level as other 13
forms of visual art. Sometimes decisions involved in creating a photograph closely resemble those
made by any other artist. A photograph is not always just a record of the world, but a(n) 14
created image with its own artistic features. Ansel Adams, the American photographer, commented
on this point when he noted that take is not the right verb for a photograph. Instead, he said, one
makes a photograph. To this end, there is a growing trend for photographers to identify themselves
as artists. A photograph by artist Edward Steichen, for example, recently sold for $11.8 million.
No one would likely pay that much for a photograph unless the photographer presents himself as
an artist.
Although some photography can be abstract, most photographs are basically records of
events that occurred in particular places. While viewers may perceive beauty in a photograph,
such beauty often derives from the time and place 15 rather than from the
photographer’s creative input. Also, sophisticated and expensive 16 often plays a
greater role in the success of a photograph than the photographer’s creativity. Even some of the
greatest photographers acknowledge that there is a(n) 17 to the amount of influence
they can have on a final product. Henri Cartier-Bresson, the renowned French photographer,
admitted that luck was the most important factor. Finally, photography is so widely used for 18
functions that have little or nothing to do with art, such as police work, advertising and news
reporting.
The debate over whether photography qualifies as art has 19 since its earliest
practitioners presented their work. A photographer may make the same aesthetic choices as a fine
artist: subject matter, lighting, colour or even a message. However, cameras can also be purely
functional tools, capturing visual records and presenting information. All in all, photography is
a(n) 20 that can be used to make art, but that does not mean that all photography is
art.
【答案】
11．I 12．D 13．B 14．F 15．K 16．G 17．H 18．E 19．
A 20．J
【导语】这是一篇议论文。文章探讨了摄影的艺术地位。尽管摄影具有创造性且可被视为
艺术媒介，但由于其依赖设备、受环境限制且多用于实用功能，因此关于其是否属于纯艺
术的争论一直存在。
11．考查形容词。句意：有些人认为摄影是一种美术形式，因为它所涉及的创作决策过程
与绘画或雕塑背后（潜在）的那些创作决策过程相似。根据“because it entails creative
decision-making processes similar to those”可知应填underlying 表示“潜在的、根本的”，用
来修饰painting or sculpture，意思是“与绘画或雕塑背后（潜在）的那些创作决策过程相
似”。故选I。
12．考查副词。句意：然而，摄影不能毫无疑问地归类为艺术，因为尽管有某些相似之处
但手工创造图像——使用颜料、黏土或其他工具——与将机械设备指向有趣的东西并点击
之间仍然存在根本的区别。根据句意“毫无疑问地”以及“because despite certain-
similarities, a fundamental difference remains between creating images by hand”可知应填副词
unquestionably，修饰classified。故选D。
13．考查形容词。句意：可以说，摄影完全可以与其他被认可的视觉艺术形式相媲美，同
样值得欣赏。根据句意“被认可的”以及“forms of visual art”可知应填形容词recognized，
修饰名词forms。故选B。
14．考查副词。句意：一张照片并不总是仅仅是对世界的记录，而是一种经过精心构思的
具有自身艺术特色的图像。根据前文提到的“像其他艺术家一样做决定”以及Ansel
Adams 说的“make a photograph(制作照片)”，说明照片是故意/精心创造出来的，而非随意
拍摄的。可知应填副词deliberately，修饰created。故选F。
15．考查形容词。句意：尽管观众可能会从照片中感受到美，但这种美往往源自照片所捕
捉的特定时间和地点，而非摄影师的创作投入。根据“所捕捉的”以及 “rather than from
the photographer’s creative input”可知应填形容词captured，修饰名词the time and place。故
选K。
16．考查名词。句意：此外，精良且昂贵的设备在照片的成功中往往比摄影师的创意发挥
着更大的作用。根据句意“设备”以及“ often plays a greater role in the success of a
photograph than the photographer’s creativity”可知应填名词equipment，作主语，故选G。
17．考查名词。句意：甚至一些最杰出的摄影师也承认，他们对最终作品所产生的影响是
有限的。根据句意“限制”以及“the amount of influence they can have on a final product”可
知应填名词limit，作主语，故选H。
18．考查形容词。句意：最后，摄影技术被广泛应用于诸多与艺术毫无关联的实用功能领
域，比如警方工作、广告宣传以及新闻报道等。根据句意“实用的”以及“functions that
have little or nothing to do with art, such as police work, advertising and news reporting”可知应
填形容词practical，修饰名词functions。故选E。
19．考查动词。句意：关于摄影是否属于艺术这一问题的争论，自其最早的创作者展出作
品以来就一直存在。根据句意“存在”以及“since its earliest practitioners presented their
work”可知应填动词persist，结合has 可知为现在完成时。故选A。
20．考查名词。句意：总之，摄影是一种可以用来创作艺术的媒介，但这并不意味着所有
的摄影作品都是艺术作品。根据句意“媒介”以及“that can be used to make art”可知应填
名词medium，作表语。故选J。
III.
Reading Comprehension (41 – 55 题，每题1 分；56 – 70 题，每题2
分；共45 分)
Section A
Directions: For each blank in the following passage there are four words or phrases marked
A, B, C and D. Fill in each blank with the word or phrase that best fits the context.
How Douyin Is Reshaping Music Consumption
For countless young Chinese individuals, “The Shepherd in Keketuohai” and its original
singer, Wang Qi, are not well-known. On the contrary, their parents are probably quite 21
with the melody. Although differences in musical tastes across generations are not a 22
concept, the fact that numerous middle-aged Chinese people first heard this song through Douyin,
a widely-used short-video platform, is rather fascinating. A search conducted in March produced
over seven million video clips 23 the song, many of which were posted by accounts
targeting a middle-aged audience.
This variation in musical exposure 24 from Douyin’s advanced recommendation
algorithms, which tailor video feeds according to each user’s personal preferences. “The Shepherd
in Keketuohai” is just one 25 of a song that has experienced a surge in popularity within
a particular user group on the app. However, this 26 presents a considerable challenge:
Douyin and similar platforms are bringing about a revolution in the music industry, 27
established record labels to adjust while gradually making artists less recognizable.
Since its 28 in 2016, Douyin has risen to become a major player in China’s pop
music scene. Its enormous and varied user base 29 that almost every music genre can
find an audience. 30 , an increasing number of artists are opting for Douyin as their
preferred platform to release new tracks, driven by the aspiration to achieve widespread
popularity. Dance challenges, where users imitate choreographed (事先安排的) dances to short
song excerpts, have become 31 widespread.
This shift has proven 32 for smaller record labels, breaking the dominance held
by major labels and 33 the industry’s landscape. To access Douyin’s massive user base
of 600 million, major labels have even 34 their royalty fees (版权费). Nevertheless,
this 35 also influences our bond with music. Users often find it difficult to recall artist
names or song titles, and songs are frequently edited to highlight their most appealing parts.
21．A．familiar
B．bored
C．satisfied
D．annoyed
22．A．simple
B．old
C．complex
D．novel
23．A．avoiding
B．featuring
C．criticizing
D．replacing
24．A．benefits
B．differs
C．originates
D．suffers
25．A．effect
B．reason
C．cause
D．instance
26．A．app
B．trend
C．action
D．song
27．A．threatening
B．restricting
C．inviting
D．forcing
28．A．discovery
B．foundation
C．launch
D．structure
29．A．ensures
B．doubts
C．denies
D．assumes
30．A．In effect
B．In addition
C．Nevertheless
D．As a result
31．A．moderately
B．equivalently
C．particularly
D．slightly
32．A．neutral
B．harmful
C．beneficial
D．irrelevant
33．A．triggering
B．reshaping
C．exploring
D．underestimating
34．A．increased
B．maintained
C．lowered
D．oversaw
35．A．impression
B．industry
C．accumulation
D．transformation
【答案】
21．A 22．D 23．B 24．C 25．D 26．B 27．D 28．C 29．
A 30．D 31．C 32．C 33．B 34．C 35．D
【导语】本文是一篇说明文。文章主要讲述了抖音如何重塑音乐消费模式及其带来的影响。
21．考查形容词词义辨析。句意：相反，他们的父母可能对这首旋律非常熟悉。A. familiar
熟悉的；B. bored 无聊的；C. satisfied 满意的；D. annoyed 恼怒的。根据上文“For countless
young Chinese individuals, “The Shepherd in Keketuohai” and its original singer, Wang Qi, are
not well-known. On the contrary, their parents are probably quite”可知，年轻人不熟悉这首歌，
而空格前的“On the contrary”表示转折，因此此处指父母对旋律很熟悉。故选A。
22．考查形容词词义辨析。句意：尽管代际间的音乐品味差异并不是一个新颖的概念，但
许多中年中国人通过抖音（一个广泛使用的短视频平台）首次听到这首歌的事实却相当吸
引人。A. simple 简单的；B. old 旧的；C. complex 复杂的；D. novel 新颖的。根据上文
“Although differences in musical tastes across generations are not a”和常识可知，代际之间的
品味差异是一直存在的，并非新出现的事物，因此此处表示“不是新颖的概念”。故选
D。
23．考查动词词义辨析。句意：3 月份的一项搜索产生了超过700 万个包含这首歌的视频
片段，其中许多是由针对中年观众发布的账号发布的。A. avoiding 避免；B. featuring
以……为特色；C. criticizing 批评；D. replacing 代替。根据上文“numerous middle-aged
Chinese people first heard this song through Douyin”、“A search conducted in March produced
over seven million video clips” 和下文“ the song, many of which were posted by accounts
targeting a middle-aged audience”可知，这些视频片段的内容与这首歌相关，即“以这首歌
为特色”。故选B。
24．考查动词词义辨析。句意：这种音乐接触的差异源于抖音先进的推荐算法，该算法根
据每个用户的个人喜好定制视频流。A. benefits 受益；B. differs 不同；C. originates 起源；
D. suffers 遭受。根据上文“ This variation in musical exposure” 和下文“ from Douyin’s
advanced recommendation algorithms, which tailor video feeds according to each user’s personal
preferences”可知，抖音先进的推荐算法根据每个用户的个人喜好定制视频流，所以这种音
乐接触的差异源于抖音先进的推荐算法。originate from 为固定搭配，意为“起源于，源
于”。故选C。
25．考查名词词义辨析。句意：《可可托海的牧羊人》只是抖音上某一特定用户群体中突
然走红的歌曲的一个例子。A. effect 影响；B. reason 原因；C. cause 原因；D. instance 例子。
根据下文“of a song that has experienced a surge in popularity within a particular user group on
the app”可知，这首歌是众多在抖音特定群体中走红的歌曲之一，因此是“一个例子”。故
选D。
26．考查名词词义辨析。句意：然而，这一趋势带来了相当大的挑战：抖音和类似平台正
在引发音乐行业的革命，迫使老牌唱片公司进行调整，同时逐渐使艺术家变得不那么知名
A. app 应用；B. trend 趋势；C. action 行动；D. song 歌曲。根据上文“a song that has
experienced a surge in popularity within a particular user group on the app”可知，提到抖音算法
让特定歌曲在特定群体走红，这是一种行业发展的“趋势”。故选B。
27．考查动词词义辨析。句意：然而，这一趋势带来了相当大的挑战：抖音和类似平台正
在引发音乐行业的革命，迫使老牌唱片公司进行调整，同时逐渐使艺术家变得不那么知名
A. threatening 威胁；B. restricting 限制；C. inviting 邀请；D. forcing 迫使。根据上文
“Douyin and similar platforms are bringing about a revolution in the music industry” 、下文
“established record labels to adjust”可知，唱片公司是在行业变革的压力下“被迫”调整。
故选D。
28．考查名词词义辨析。句意：自2016 年推出以来，抖音已成为中国流行音乐界的主要参
与者。A. discovery 发现；B. foundation 基础；C. launch 推出；D. structure 结构。根据下文
“in 2016, Douyin has risen to become a major player”可知，此处指抖音在2016 年“推出”，
开始上线。故选C。
29．考查动词词义辨析。句意：其庞大而多样的用户群确保了几乎每一种音乐类型都能找
到听众。A. ensures 确保；B. doubts 怀疑；C. denies 否认；D. assumes 假设。根据上文“Its
enormous and varied user base”和下文“that almost every music genre can find an audience”可
知，庞大且多样的用户群为不同音乐类型找到受众提供了保障，即“确保”了这一点。故
选A。
30．考查介词短语辨析。句意：因此，越来越多的艺术家选择抖音作为他们发布新曲的首
选平台，渴望获得广泛流行。A. In effect 实际上；B. In addition 此外；C. Nevertheless 然而；
D. As a result 因此。根据上文“Its enormous and varied user base 9 that almost every music
genre can find an audience.”和下文“an increasing number of artists are opting for Douyin as
their preferred platform to release new tracks”可知，上文提到抖音的用户群能让各种音乐找到
受众，这是原因，下文艺术家选择抖音发布新歌是结果，上下文为因果关系，用As a
result。故选D。
31．考查副词词义辨析。句意：舞蹈挑战，即用户模仿为短歌片段编排的舞蹈，已经变得
特别普遍。A. moderately 适度地；B. equivalently 等价地；C. particularly 特别地；D. slightly
轻微地。根据上文“Dance challenges, where users imitate choreographed (事先安排的) dances
to short song excerpts, have become”、下文“widespread”可知，舞蹈挑战在抖音上的流行程
度很高，用particularly 修饰widespread，强调“尤为普遍”。故选C。
32．考查形容词词义辨析。句意：这种转变已被证明对小型唱片公司有利，打破了大型唱
片公司的主导地位，重塑了行业格局。A. neutral 中立的；B. harmful 有害的；C. beneficial
有益的；D. irrelevant 不相关的。根据下文“for smaller record labels, breaking the dominance
held by major labels”可知，这种转变打破了大公司的主导，因此这种转变对小型唱片公司
是“有益的”。故选C。
33．考查动词词义辨析。句意：这种转变已被证明对小型唱片公司有利，打破了大型唱片
公司的主导地位，重塑了行业格局。A. triggering 触发；B. reshaping 重塑；C. exploring 探
索；D. underestimating 低估。根据上文“This shift has proven
12
for smaller record
labels, breaking the dominance held by major labels and”和下文“the industry’s landscape”可知，
这种转变已被证明对小型唱片公司有利，打破了大型唱片公司的主导地位，行业的原有格
局被打破，新的格局形成，即“重塑”了行业格局。故选B。
34．考查动词词义辨析。句意：为了接触抖音庞大的6 亿用户群，大型唱片公司甚至降低
了版权费。A. increased 增加；B. maintained 维持；C. lowered 降低；D. oversaw 监督。根据
上文“To access Douyin’s massive user base of 600 million, major labels have even” 和下文
“their royalty fees”可知，大型唱片公司为了获得抖音的用户资源，采取了让利的措施，即
“降低”版权费。故选C。
35．考查名词词义辨析。句意：然而，这种转变也影响了我们与音乐的联系。A.
impression 印象；B. industry 工业；C. accumulation 积累；D. transformation 转变。根据上文
“This shift has proven for smaller record labels, breaking the dominance held by major
labels and the industry’s landscape. To access Douyin’s massive user base of 600 million,
major labels have even
their royalty fees ( 版权费). Nevertheless, this” 和下文“ also
influences our bond with music”可知，上文主要讲述了抖音给音乐行业带来的一系列变化，
即“转变”，此处指这种转变对人们与音乐联系的影响。故选D。
Section B
Directions: Read the following three passages. Each passage is followed by several questions or
unfinished statements. For each of them there are four choices marked A, B, C and D. Choose the
one that fits best according to the information given in the passage you have just read.
(A)
A trove of unpublished poems by the late Irish poet Seamus Heaney is set to be printed
alongside his collected and uncollected poems, published together for the first time.
The Poems of Seamus Heaney will feature his 12 collections interspersed (穿插) with
poems published in magazines, journals and newspapers, plus 25 poems selected from Heaney’s
large number of unpublished works. Many of the unpublished poems are housed in the National
Library of Ireland (NLI) , where the poet bequeathed (遗赠) his literary papers before his death
in 2013.
Whether or not they should be published was an “absolutely core question”, said Matthew
Hollis, a poet and a long-term editor of Heaney, who worked with the poet’s family and fellow
editors Rosie Lavan and Bernard O’Donoghue over the last decade to put together the collection.
“If an author chose not to publish a poem, does anyone else have the right to do so?”
However, given that Heaney had passed the poems to the NLI, “we didn’t get a sense that
he wished them to remain private”, said Hollis. Some of the poems they looked at had not reached
a state of completion that “perhaps Seamus himself would have been satisfied” with, which is why
he may have set them aside. The chosen unpublished poems are included in the appendix, so as to
separate them from the works published in Heaney’s lifetime. The book also features a
commentary by the editors, which “situates” the poems.
Reading his 12 collections together, there is a “clear sense of moving between subjects and
periods”, said Hollis. The first four have a “common project in the ground and in the bog
metaphor”, which he used to write about Ireland’s history and the Troubles; there is then a “middle
period” focused on domestic life and fatherhood; and finally a later period in which he “seems to
face out and addresses worldly subjects”, including 9/11 and the 7/7 bombings.
Putting together the collection, Hollis was struck by “quite how hardworking Seamus
Heaney was”. When writers reach a reputation so “internationally profound”, there can be “an
assumption that somehow it’s easy for them, or that they simply have a supreme gift that the rest
of us don’t have.” But Heaney’s many drafts make clear “how many avenues he would turn up and
then turn back having not reached the right place”, said Hollis. He had a busy life as a lecturer and
father, and “quite a number” of drafts are time-stamped “three o’clock in the morning”. Some
poems would take years to arrive in their final form. “Even knowledgeable readers may be
surprised at the depth and the vigour with which Seamus would work in order to bring the latent
poem to the surface.”
36．What can we learn about the unpublished poems in The Poems of Seamus Heaney?
A．They were first made public by Heaney’s family.
B．They were separately placed in the appendix.
C．They were compiled by Matthew Hollis alone.
D．They were published against the author’s will.
37．Why did some of Heaney’s poems remain incomplete or set aside?
A．They were meant to separate from his other works.
B．Heaney was too occupied to revise and perfect them.
C．They possibly did not meet Heaney’s own criteria.
D．Heaney had intended to donate them to the NLI.
38．Which of the following statements is TRUE about Seamus Heaney?
A．He was a passionate and insightful poet. B．He wrote to show his supreme talent.
C．He created poems fast on various themes.
D ．He worked day and night for his
family.
39．What does the underlined quote in the last paragraph imply?
A．Heaney struck a great balance between lecturing and fatherhood.
B．Heaney went to many places and wrote poems on the spot.
C．Heaney spent a great amount of time polishing his works.
D．Heaney had to switch many themes to find inspiration.
【答案】36．B 37．C 38．A 39．C
【导语】本文是一篇新闻报道。文章介绍了已故诗人谢默斯
希尼的诗集即将出版，收录
・
其各类诗作，提及编辑对未出版诗作的考量、其作品的创作阶段特点及他勤奋的创作历程。
36．细节理解题。根据第四段中“The chosen unpublished poems are included in the appendix,
so as to separate them from the works published in Heaney’s lifetime. (最终入选的未出版诗作被
纳入附录，以此与诗人在世时发表的作品区分开来。)”可知，未出版诗作被单独收录在附
录中。故选B。
37．细节理解题。根据第四段中“Some of the poems they looked at had not reached a state of
completion that “perhaps Seamus himself would have been satisfied” with, which is why he may
have set them aside.. (他们审阅的部分诗作，或许未能达到“希尼本人满意”的完成度，这
也是他将这些诗搁置一旁的原因。)”可知，部分诗作被搁置的原因在于未达到诗人自身的
满意标准。故选C。
38．推理判断题。根据第五段“Reading his 12 collections together, there is a “clear sense of
moving between subjects and periods”, said Hollis. The first four have a “common project in the
ground and in the bog metaphor”, which he used to write about Ireland’s history and the Troubles;
there is then a “middle period” focused on domestic life and fatherhood; and finally a later period
in which he “seems to face out and addresses worldly subjects”, including 9/11 and the 7/7
bombings. (霍利斯表示，将希尼的12 部诗集通读下来，能“清晰感受到主题与创作时期的
流转变化”。他的前四部诗集围绕“土地与沼泽的隐喻”展开统一创作，借这一意象书写
爱尔兰的历史与北爱尔兰问题；随后的“中期创作”聚焦家庭生活与为人父的体验；晚年
时期的作品则“将目光投向更广阔的世界”，题材涉及 “9・11”事件和伦敦“7・7”爆炸
案等国际议题。)”可知，希尼的诗作主题涵盖爱尔兰历史、家庭生活、国际事件等多个维
度，体现其对社会深刻的洞察力与热情。故选A。
39．词句猜测题。根据最后一段中“Putting together the collection, Hollis was struck by ‘quite
how hardworking Seamus Heaney was’. When writers reach a reputation so ‘internationally
profound’, there can be ‘an assumption that somehow it’s easy for them, or that they simply have a
supreme gift that the rest of us don’t have.’ But Heaney’s many drafts make clear “how many
avenues he would turn up and then turn back having not reached the right place, said Hollis. He
had a busy life as a lecturer and father, and “quite a number’ of drafts are time-stamped “three
o’clock in the morning”. Some poems would take years to arrive in their final form. (在整理诗集
的过程中，霍利斯深深折服于“谢默斯
希尼超乎常人的勤奋”。当一位作家的声望达到
・
“享誉国际的高度”时，人们可能会“想当然地认为创作对他们而言轻而易举，或是觉得
他们天生拥有旁人难以企及的天赋”。但霍利斯指出，希尼留下的大量草稿表明，
‘____________。’身为讲师与父亲，希尼的生活十分忙碌，不少草稿的时间标注着“凌
晨三点”。有些诗作历经数年打磨才最终定稿。)”可知，上下文提及希尼的超乎常人的勤
奋、大量草稿、凌晨三点还在创作、部分诗作耗时数年定稿等细节，可推测，“how many
avenues he would turn up and then turn back having not reached the right place”的意思是他花了
大量时间打磨他的作品。故选C。
(B)
COOL INVENTIONSBETTER ‘LEATHER’
These shoes are ‘grown’ by bacteria!
Leather is a material that’s made
from the skin of animals. It’s used to
create lots of products. From shoes to
handbags to furniture. But the chemicals
typically used to preserve the animal
skins are bad for the environment. The
chemicals pollute the water and air
nearby, and they can make the leather
workers sick. Plus, livestock farmers cut
down trees in forests so the cows used for
leather and meat have room to graze.
But in the future, you might slip on a more
sustainable pair of shoes. National Geographic
Explorer Theanoe Schiros is experimenting with
bacteria and living things — to “grow” shoes with
a similar texture to real leather! The shoes are zero
waste, chemical free, fully decomposable and still
super strong. Discover how these cool kicks come
to life.
3
Then the microbes
spin the sugar into
threads of cellulose
2
The team places the
microbes in a vessel like
this beaker, along with
1
Schiros and her team
start with bacteria cells
that are too small to see
(纤维素) to create
protective shells
around themselves
to keep from drying
out. (Cellulose is
the same stuff that
trees are made of!)
food waste like fruit pulp.
The microbes eat the sugar
in the food.
without a microscope.
Seventy of these rod-
shaped ( 杆状的)
microbes would fit
across the width of a
human hair!
4
A lot of microbes
+ a lot of sugar
=a
mass
of
cellulose!
5
Next the team cleans the
mass and treats it with a
sunflower
seed-based
recipe to make the material
soft and strong — similar
to traditional leather. Then
it’s dried flat.
6
Want it to be colored? A
natural dye made of
indigo will work. For
black, use the bark ( 树
枝) from the acacia tree
followed by a dip in
iron-filled water (The
iron comes from old
carpentry nails!)
Around a hundred billion pieces of
clothing are made each year. Of that
clothing, about 90 percent eventually gets
thrown away.
HOW CAN YOU HELP?
Don’t toss out damaged shoes! Instead,
take them to a shoe mender to be fixed.
You’ve outgrown them? Host a clothing
exchange with friends.
7Each piece of cellulose
can be specially grown
into the shape of the
part of the shoe it will
become. The pieces are
then sewn together.
These shoes grew in
just 30 days, and
they’ll last for years!
40．The bacteria-grown shoes have been developed to ________.
produce shoes of better quality
①
improve visual design
②
protect the health of leather workers
③
reduce environmental pollution
④
A．①③
B．②④
C．③④
D．①④
41．Which of the following statements is true about the procedure of growing leather?
A．The raw materials include microbes about the width of a human hair.
B．The microbes can be transformed into a mass of cellulose after consuming sugar.
C．With a special treatment, the material can possess a texture similar to genuine leather.
D．The material can be dyed black after a dip in natural dye made from indigo.
42．Who is this article most likely intended for?
A．Chemistry majors.
B．Materials science experts.
C．Shoe manufacturers.
D．General science readers.
【答案】40．C 41．C 42．D
【导语】这是一篇应用文。文章介绍了一种利用细菌和食物残渣培育“生物皮革”来制作
鞋子的创新技术，旨在减少污染和保护工人健康，并简述了其制作流程及环保意义。
40．细节理解题。根据第一段“But the chemicals typically used to preserve the animal skins
are bad for the environment. The chemicals pollute the water and air nearby, and they can make
the leather workers sick.(但用于保存动物皮张的这些化学物质对环境有害。这些化学物质会
污染附近的水源和空气，还会使制革工人患病)”可知，这种由细菌培育而成的鞋子是为保
护皮革工人的健康和减少环境污染而研发的。故选C。
41．细节理解题。根据步骤五“Next the team cleans the mass and treats it with a sunflower
seed-based recipe to make the material soft and strong — similar to traditional leather.(接下来，
该团队清洗了这些物质，并以葵花籽为基础的配方处理它，使材料变得柔软和坚固——类
似于传统的皮革)”可知，C 选项“经过特殊处理后，这种材料能够拥有与真皮革相似的质
地”正确。故选C。
42．推理判断题。根据HOW CAN YOU HELP?部分“Don’t toss out damaged shoes! Instead,
take them to a shoe mender to be fixed. You’ve outgrown them? Host a clothing exchange with
friends.(别把损坏的鞋子扔掉！而是把它们送到鞋修补店去修复。鞋子已经不合脚了？那就
和朋友们举办一场衣物交换活动吧)”以及文章标题为“COOL INVENTIONS(酷发明)”可知，
文章内容通俗易懂，配有步骤图示，并在最后呼吁读者如何环保，属于科普类文章。由此
推知，这篇文章最有可能是写给普通科学读者的。故选D。
(C)
A theme at this year’s World Economic Forum (WEF) meeting in Switzerland was the
perceived need to “speed up breakthroughs in research and technology.” Some of this framing was
motivated by the climate emergency, some by the opportunities and challenges presented by
generative artificial intelligence. Yet in various conversations, it seemed to be taken for granted
that to address the world’s problems, scientific research needs to move faster. The WEF mindset is
similar to the Silicon Valley dictate — to move fast and break things. But what if the thing being
broken is science? Or public trust?
In recent years we’ve seen important papers, written by outstanding scientists and published
in celebrated journals, retracted because of questionable data or methods, hence a question: Are
scholars at supercompetitive places such as Harvard and Stanford rushing to publish rather than
taking the time to do their work right?
It’s impossible to answer this question scientifically because there’s no scientific definition
of what constitutes “rushing.” But there’s little doubt that we live in a culture where academics at
leading universities are under tremendous pressure to produce results — and a lot of them —
quickly.
The problem is not unique to the U. S. In Europe, formal research assessments — which are
used to allocate (分配) future funding — have for years judged academic departments largely on
the quantity of their output. A recent reform urging an emphasis on quality over quantity allowed
that the existing system had created “counterincentives.”
Good science takes time. More than 50 years passed between the 1543 publication of
Copernicus’s On the Revolutions of the Heavenly Spheres. And it took just about half a century
for geologists and geophysicists to accept geophysicist Alfred Wegener’s idea of continental drift.
There’s plenty of evidence that scientists and other scholars are pushing results out far
faster than they used to. Consider the sheer volume of academic papers being published these
days. One recent study put the number at more than seven million a year, compared with fewer
than a million as recently as 1980. Some of this growth is driven by more scientists and more co-
authorship of papers, but the numbers also suggest that the research world has prioritized quantity
over quality. Researchers may need to slow down if we are to produce knowledge worthy of trust.
43．WEF meeting in Switzerland advocated that ________.
A．WEF and Silicon Valley reach an agreement to move fast
B．public trust in science is not supposed to be easily broken
C．researchers need to achieve breakthroughs more rapidly
D．climate emergency and AI push scientific research hard
44．Which of the following examples fails to prove that good science takes time?
A．High-profile scholars’ tremendous output.
B．Publication of Copernicus’s theory.
C．Retraction of important papers.
D．Acceptance of the idea of continental drift.
45．The underlined word “counterincentives” in para. 5 probably means ________.
A．measures to increase quantities of output B．contradictory motives for future funding
C．rewards for leading universities’ researchD．discouragements of high quality papers
46．Which of the following is best title of the passage?
A．WEF Coincides with Silicon Valley
B．Trouble in the Fast Lane
C．Choice between Quantity and Quality
D．Collapse of Public Trust
【答案】43．C 44．A 45．D 46．B
【导语】这是一篇说明文。本文反思了全球追求科研“加速突破”的趋势，指出过分追求
发表数量和速度导致了撤稿增多、质量下降。作者呼吁科学界应慢下来，重视质量以重建
公信力。
43．细节理解题。根据第一段“A theme at this year’s World Economic Forum (WEF) meeting
in Switzerland was the perceived need to “speed up breakthroughs in research and technology.”(今
年在瑞士举行的世界经济论坛（WEF）会议所探讨的一个主题是，人们普遍认为有必要
“加快在研究与技术方面的突破性进展”)”可知，在瑞士举行的世界经济论坛会议主张研
究人员需要更快地取得突破。故选C。
44．细节理解题。根据第三段“It’s impossible to answer this question scientifically because
there’s no scientific definition of what constitutes “rushing.” But there’s little doubt that we live in
a culture where academics at leading universities are under tremendous pressure to produce results
— and a lot of them — quickly.(要从科学的角度来回答这个问题是不可能的，因为对于“匆
忙”这一概念并没有一个科学的定义。但毫无疑问，我们生活在一个这样的社会中：顶尖
大学的学者们承受着巨大的压力，必须迅速地取得成果——而且是大量的成果)”可知，A
选项“知名学者的巨大成果”只能解释成果巨大，并不能解释良好的科学需要时间。故选
A。
45．词句猜测题。根据第四段“ The problem is not unique to the U. S. In Europe, formal
research assessments — which are used to allocate (分配) future funding — have for years judged
academic departments largely on the quantity of their output. A recent reform urging an emphasis
on quality over quantity allowed that the existing system had created “counterincentives.”(这个问
题并非美国所独有。在欧洲，用于分配未来资金的正式研究评估机制多年来一直主要依据
学术部门的研究成果数量来对其进行评判。最近的一项改革强调质量而非数量的重要性，
但这一改革也发现现有的评估体系产生了“counterincentives”)”可知，既然旧体系重数量轻
质量，那么它对“高质量论文”来说就是一种阻碍或反向激励。故划线词意思是“高质量
论文的发表受阻”。故选D。
46．主旨大意题。根据最后一段“There’s plenty of circumstantial evidence that scientists and
other scholars are pushing results out far faster than they used to. Consider the sheer volume of
academic papers being published these days. One recent study put the number at more than seven
million a year, compared with fewer than a million as recently as 1980. Some of this growth is
driven by more scientists and more co-authorship of papers, but the numbers also suggest that the
research world has prioritized quantity over quality. Researchers may need to slow down if we are
to produce knowledge worthy of trust.(有大量的间接证据表明，科学家和其他学者推出结果
的速度比过去快得多。想想最近发表的学术论文的数量吧。最近的一项研究显示，这一数
字每年超过700 万，而就在1980 年，这一数字还不到100 万。这一增长部分是由更多的科
学家和更多的论文合著者推动的，但这些数字也表明，研究界更看重数量而不是质量。如
果我们要产生值得信任的知识，研究人员可能需要放慢速度)”可知，文章主要介绍了科学
研究被期望快速进展的困境，并指出这种快节奏的研究可能会带来的问题。所以短文的标
题为“快车道上的问题”。故选B。
Section C
Directions: Read the following passages. Fill in each blank with a proper sentence given in
the box. Each sentence can be used only once. Note that there are two more sentences than
you need.
The Symbiotic (共生的) City: Rethinking Future Urban Living
The unprecedented scale and speed of 21st-century urbanization have placed immense
pressure on global ecosystems and social structures, worsening issues such as resource shortage,
environmental pollution, and systemic inequality. In response, the city of the future cannot be
satisfied with small upgrades or superficial technological fixes. It must undergo a fundamental
redefinition of its form and function. 47 This concept, termed the Symbiotic City,
represents a shift beyond conventional sustainability ways of thinking, envisioning an urban
environment where human and natural systems are not merely balanced, but actively enhance one
another through continuous interaction and mutual adaptation.
Central to this vision is a systematic restructuring of urban infrastructure, changing it from
a resource-intensive burden into a force that renews. Buildings, for instance, should be reimagined
not as static (静止的) energy sinks but as dynamic connections between man-made and natural
environments. 48 Water systems, too, must change from simple “use and throw away”
models to circular water systems. This includes the integrated management of rainwater
collection, recycled water for non-drinking uses, and getting nutrients back from wastewater to
support city farming-effectively closing resource loops at the neighborhood and city scale.
Yet technological and infrastructural innovation alone is insufficient. This material
transformation must be accompanied by a parallel shift in socio-economic models and governance
structures. The digital layer of the “smart city,” often criticized for reinforcing corporate control or
government monitoring, could instead be used to foster openness, civic participation, and shared
resource governance. 49 Such open access to real-time data on how a city uses
resources would let communities work together to manage spread-out energy systems, improve
shared transport networks, and check on local environmental health-strengthening social capital
while reducing ecological footprints.
Nevertheless, the transition toward symbiotic urbanism faces profound obstacles. The scale
of investment required is monumental, and existing institutional frameworks often lack the
interdisciplinary coordination and long-term vision needed to implement such integrated planning.
50 Truly strong and regenerative cities will emerge not only from new technologies or
policies, but from a deeper evolution in collective values — a shift from seeking dominion over
nature to recognizing that we are part of biospheric systems and must shoulder the responsibility
toward future generations.
A．For example, building surfaces could grow water plants to capture carbon and produce food.
B．Real-time data from sensors would then empower citizens to manage resources.
C．It must become an ecological system, achieving symbiosis with nature.
D．However, achieving this requires a profound shift in our values and mindset.
E．For instance, self-driving cars could make private vehicle ownership unnecessary.
F．Therefore, the primary goal should be maximizing the efficiency of existing urban facilities.
【答案】47．C 48．A 49．B 50．D
【导语】本文是一篇说明文。主要介绍共生城市的理念、核心架构，以及向其转型所需的
条件与面临的障碍。
47．根据上文“It must undergo a fundamental redefinition of its form and function.(它必须对其
形式和功能进行根本性的重新定义)”以及下文“This concept, termed the Symbiotic City,
represents a shift beyond conventional sustainability ways of thinking...(这一被称为“共生城
市”的理念，代表着超越传统可持续发展思维方式的转变……)”可知，此处应衔接“城市
形式功能重新定义”与“共生城市理念”，说明重新定义后的城市形态，C 选项“It must
become an ecological system, achieving symbiosis with nature.(它必须成为一个生态系统，与
自然实现共生)”既呼应“根本性重新定义”，又引出“共生”核心，为后文“共生城市”
概念铺垫，符合语境。故选C 项。
48．根据上文“Buildings, for instance, should be reimagined not as static energy sinks but as
dynamic connections between man-made and natural environments.(例如，建筑不应被想象成静
止的能量消耗器，而应被视为人工环境和自然环境之间的动态连接)”可知，此处应举例说
明建筑如何成为人与自然的动态连接，A 选项“For example, building surfaces could grow
water plants to capture carbon and produce food.(例如，建筑表面可以种植水生植物来捕捉碳
并生产食物)”以建筑表面种植植物为例，契合“建筑连接人与自然”的观点，与前文for
instance 呼应，符合语境。故选A 项。
49．根据上文“The digital layer of the “smart city,” often criticized for reinforcing corporate
control or government monitoring, could instead be used to foster openness, civic participation,
and shared resource governance.(“智慧城市”的数字层面经常被批评为加强企业控制或政府
监督，但它可以用来促进开放、公民参与和共享资源治理)”以及下文“Such open access to
real-time data on how a city uses resources would let communities work together...(这种对城市资
源使用实时数据的开放获取，将让社区能够合作……)”可知，此处应衔接“数字层面促进
资源治理”与“实时数据开放”，说明数字层面如何实现该功能，B 选项“Real-time data
from sensors would then empower citizens to manage resources.(来自传感器的实时数据将赋予
公民管理资源的能力)”既呼应“数字层面”，又引出下文“实时数据”，衔接自然，符合
语境。故选B 项。
50 ．根据上文“ The scale of investment required is monumental, and existing institutional
frameworks often lack the interdisciplinary coordination and long-term vision needed to
implement such integrated planning.(所需的投资规模是巨大的，而现有的体制框架往往缺乏
执行这种综合规划所需的跨学科协调和长期远见)”以及下文“Truly strong and regenerative
cities will emerge not only from new technologies or policies, but from a deeper evolution in
collective values...(真正强大且具有再生能力的城市，不仅将源于新技术或新政策，更将源
于集体价值观的深层演变……)”可知，此处应过渡“转型面临的障碍”与“转型需价值观
演变”，D 选项“However, achieving this requires a profound shift in our values and mindset.
(然而，实现这一点需要我们的价值观和思维方式发生深刻转变)”中this 指代“向共生城市
转型”，“价值观转变”与下文“集体价值观演变”呼应，符合语境。故选D 项。
IV. Summary Writing (10 分)
Directions: Read the following passage. Summarize the main idea and the main point(s) of the
passage in no more than 60 words. Use your own words as far as possible.
Should you blame yourself for your bad habits?
What is AI’s Role in Art Creation?
As artificial intelligence advances across creative fields, a question emerges: Do people
want AI to become an artist or simply a tool for artistic creation? Evidence suggests that while the
public is increasingly familiar with AI systems, they would prefer to see AI supporting human
creativity rather than replacing it.
A key reason lies in the human dimension of art. When people picture their favorite works,
say, Van Gogh’s The Starry Night, what they value is not merely technical delivery but the
emotional depth tied to human experience. In a recent survey, over 60 percent said they would
value their favorite artwork less if told it was AI-produced. Their responses highlight a shared
belief: People seek the imaginative struggles and personal histories behind creative works, a
quality machines cannot genuinely copy.
Concerns about originality and copyright strengthen this resistance. Respondents criticized
AI outputs as unoriginal, seeing them as mere reflections of models trained on vast quantities of
human-created materials. The possibility of unauthorized data use and unclear artistic ownership
fuels distrust. These worries reveal why people hesitate to view AI-generated materials-especially
films-as real art: It lacks clear authorship and true creative intention.
Yet attitudes shift when AI assists rather than replaces human artists. Forty-two percent of
participants regarded users of AI as artists who provided clear creative direction — a sign of
openness to human-AI collaboration. This perspective points to a real obstacle in today’s creative
world: Many individuals with ideas lack the resources or skills to realize them. In such cases, AI
can serve as an enabling tool, lowering costs and expanding access to creative expression.
Ultimately, people value art as a human-centered means of connection. While AI can
broaden artistic possibilities, it’s best used as a tool that supports and enriches human vision.
_______________________________________________________________________________
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_________________________________________________________________
【答案】Most people prefer AI as a tool for art rather than an independent artist because they
value the human emotion and personal history behind artworks. Concerns about originality and
copyright also lead to resistance toward AI-generated art. However, if AI assists human artists by
lowering creative barriers, it is more widely accepted. Ultimately, art is seen as a human-centered
form of connection.
【导语】本文是一篇说明文。文章探讨了人工智能在艺术创作中的角色，指出大众更倾向
于AI 作为创作工具而非独立艺术家，原因是人们看重艺术背后的人类情感与个人经历，且
担忧AI 作品的原创性和版权问题；AI 辅助人类创作、降低创作门槛时易被接受，艺术终
究是以人类为核心的情感联结方式。
【详解】1. 要点摘录（列出至少5 个要点，均为原文原句）
Evidence suggests that while the public is increasingly familiar with AI systems, they would
①
prefer to see AI supporting human creativity rather than replacing it.
When people picture their favorite works, say, Van Gogh’s The Starry Night, what they value is
②
not merely technical delivery but the emotional depth tied to human experience.
In a recent survey, over 60 percent said they would value their favorite artwork less if told it was
③
Al-produced.
Concerns about originality and copyright strengthen this resistance.
④
Forty-two percent of participants regarded users of AI as artists who provided clear creative
⑤
direction — a sign of openness to human-AI collaboration.
In such cases, AI can serve as an enabling tool, lowering costs and expanding access to creative
⑥
expression.
Ultimately, people value art as a human-centered means of connection.
⑦
2. 缜密构思
以第①点总起，点明大众对AI 的核心定位；整合②③点，说明人们重视艺术的人文属性是
排斥AI 替代创作的关键；以第④点作为原创性与版权层面的抗拒原因；整合⑤⑥点，体现
大众对AI 辅助创作的接受度及AI 的作用；以第⑦点总结艺术的核心属性，最终整合所有
要点形成与答案一致的表述。
3. 遣词造句
Most people prefer AI as a tool for art rather than an independent artist because they value the
human emotion and personal history behind artworks. Concerns about originality and copyright
also lead to resistance toward AI-generated art. However, if AI assists human artists by lowering
creative barriers, it is more widely accepted. Ultimately, art is seen as a human-centered form of
connection.
【点睛】[高分句型1] Most people prefer AI as a tool for art rather than an independent artist
because they value the human emotion and personal history behind artworks.（运用了because 引
导原因状语从句）
[高分句型2] However, if AI assists human artists by lowering creative barriers, it is more widely
accepted.（运用了if 引导条件状语从句）
V. Translation (第1-2 句，每句3 分；第3 句，4 分；第4 句5 分；共15 分)
Directions: Translate the following sentences into English, using the words given in the brackets.
52．这块布料轻薄又速干，最适合做运动装。(cloth)
【答案】This cloth is light, thin and quick-drying, making it perfect for sportswear.
【详解】考查名词、形容词、非谓语动词和时态。根据句意以及句子提示词可知，表示
“这块布料”为名词This cloth（cloth 此处为不可数名词，指“布料、织物”），表示
“轻”为形容词light；表示“薄”为形容词thin；表示“速干的”为形容词quick-drying；
后接非谓语动词作状语，表示“使得”的动词make 和逻辑主语前面整句话为主动关系，
所以为现在分词形式making；表示“使某物……”使用动词短语“make+宾语+宾补”，使
用it 作宾语，指代前文的cloth，表示“完美的，适合的”为形容词perfect 作宾补，常和介
词for 搭配；表示“运动装”为名词sportswear；结合句意可知，该句为陈述客观事实，为
一般现在时。故翻译为：This cloth is light, thin and quick-drying, making it perfect for
sportswear.
53．你口口声声说自己要管住嘴，可为什么又点了一份炸鸡? (how come)
【答案】You keep saying you are going on a diet/ will watch what you eat, but how come you
ordered (a portion of) fried chicken again?
【详解】考查固定搭配和宾语从句。句子由转折连词but 连接两个分句，前一分句中“口
口声声说”用keep saying 表示持续的动作，其后接宾语从句you are going on a diet/ will
watch what you eat，“管住嘴”可译为go on a diet（节食）或watch what you eat（注意饮
食）；后一分句用how come 引导疑问句，表“为什么”，其后接陈述语序，“点了一份炸
鸡”体现动作已发生，用一般过去时ordered，“一份炸鸡”可译为a portion of fried
chicken 或直接fried chicken，“又”用again 体现重复的动作。故翻译为You keep saying
you are going on a diet/ will watch what you eat, but how come you ordered (a portion of) fried
chicken again?
54．这款笔记本电脑兼顾便携与长续航，深受商务人士青睐。(favour)
【答案】This type of laptop wins the favour of/ is highly favored by business professionals by
striking a balance between portability and long battery life/ duration.
【详解】考查短语搭配和时态。句子陈述事实，用一般现在时；表示“这款笔记本电脑”
用This type of laptop，作句子的主语；表示“深受……青睐”用win the favour of，win 用
第三人称单数形式wins，或be highly favored by，be 动词用is，两者均符合题目要求，且
在句中作谓语部分；表示“商务人士”用business professionals，作宾语；表示“在……
和……之间取得平衡”用striking a balance between...and...，表示“便携性”用portability，
表示“长续航”用long battery life/ duration，所以表示“兼顾便携与长续航”用by striking
a balance between portability and long battery life/ duration，其中by 表示方式。故翻译为This
type of laptop wins the favour of/ is highly favored by business professionals by striking a balance
between portability and long battery life/ duration.
55．这座公园设施陈旧，疏于管理，荒草丛生，经改造后，却让人眼前一亮。(whose)
【答案】Though the park whose facilities were outdated was overgrown with weeds for lack of
proper management, it amazed people after being transformed.
【详解】考查让步状语从句、定语从句、动词短语、介词短语和时态。根据句意以及句子
结构可知，该句为连词though“尽管，虽然”引导的让步状语从句，在该从句中，表示“这
座公园”为名词the park；后接关系代词whose 引导的定语从句对先行词the park 的修饰，
该定语从句中，表示“设施”为名词facilities；表示“陈旧的”为形容词outdated；表示
“由于缺乏适当的管理而杂草丛生”可译为were outdated was overgrown with weeds for lack
of proper management；在主句中，表示“让人眼前一亮”应为动词短语amazed people；表
示“经改造后”应为介词短语after being transformed；结合句意可知，该句陈述过去发生
的事情，为一般过去时。故翻译为Though the park whose facilities were outdated was
overgrown with weeds for lack of proper management, it amazed people after being transformed.
VI. Guided Writing （25 分）
56．假设你是明启中学的学生李宁，你正在一所英国高中游学，该校拟举办一个中英文化
交流活动，名叫Cultural Workshop，介绍并现场演示中国美食、手工艺品或书法。你对这
个活动很感兴趣，请你向组织者写一封申请信，信的内容包括：
（1）你想演示的项目及演示流程；
（2）你申请的理由。
_______________________________________________________________________________
_______________________________________________________________________________
_______________________________________________________________________________
_______________________________________________________________________________
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【答案】Dear Sir/Madam,
I am Li Ning, a student from Mingqi Middle School currently visiting your school. I am
writing to apply to participate in the upcoming Cultural Workshop.
I would like to demonstrate the art of Chinese Paper Cutting. The process involves folding a
piece of red paper into a triangle and then carefully cutting out intricate patterns using scissors.
Finally, I will unfold the paper to reveal a beautiful symmetrical design, such as a Chinese zodiac
animal.
I believe this activity is highly suitable. Firstly, it is interactive and visually stunning,
allowing students to easily engage. Secondly, it represents the wisdom of traditional Chinese
culture.
I hope to have the opportunity to share this unique skill.
Yours,
Li Ning
【导语】本篇书面表达属于应用文。要求考生向组织者写一封申请信，申请参加一个名叫
Cultural Workshop 的中英文化交流活动。
【详解】1.词汇积累
参加：participate in→attend
相信：believe→hold the belief
智慧：wisdom→wit
惊人的：stunning→shocking
2.句式拓展
同义句替换
原句：I believe this activity is highly suitable.
拓展句：I hold the belief that this activity is highly suitable.
【点睛】【高分句型1】I believe this activity is highly suitable.（运用了省略that 的宾语从
句）
【高分句型2】Firstly, it is interactive and visually stunning, allowing students to easily engage.
（运用了现在分词allowing 作状语）
