专题06 语法填空（原卷版）
（一）
（2025·四川成都·二模）
Taoping Qiang Village is well known as the “mysterious eastern castle” because of its typical Qiang-style
architecture ____36____ its complicated road structure.
The Taoping Watchtowers of different heights and shapes stand in the village. The architectural complex is the
____37____ (combine) of stone towers and houses. They were constructed with earth, stones, hemp and wood,
some of ____38____ were constructed only with earth and wood. The ____39____ (solid) built towers and
houses are still in good condition after many earthquakes.
There are alleyways (小巷) between the walls of the houses in the village. ____40____ some houses built
over those alleyways, more alleyways have appeared, ____41____ (make) the whole alleyway structure more
complicated. Walking in the alleyways, people feel ____42____ (they) transcending (超越) time and space.
It’s amazing that the Taoping Watchtowers ____43____ (build) without any drawings, measurements and
calculations then, yet they are well-structured, solid and unique. The watchtowers are a wonder from the history of
world architecture which attract a number of tourists from home and abroad ____44____ (admire) them.
Under the earth, there are many water channels covered by earth and stones. There are some _____45_____
(move) stones which have been placed at certain distances, which help people to get water easily. The convenient
and secret water channels serve as a water-net that reaches every watchtower, providing a large living space for the
villagers, especially during wartime.
（二）
（2025·四川绵阳·二模）
Amid the busy Kowloon Flower Market in Hong Kong, 36 (surround) by the sweet melodies of
birds, you’ll find one of Hong Kong’s last remaining birdcage makers — Chan Lok-Choi, also known as “Uncle
Choi”.
The 81-year-old craftsman began his apprenticeship (学徒期) at 37 age of 13. Since then, he 38
(become) a master in the art of crafting traditional birdcages and has made a name for 39 (he) in the
industry.
The culture of bird-keeping and birdcage-making has been 40 (deep) rooted in Hong Kong society
since the 1920s and 1930s. In the past, many bird owners would bring their birds to the tea houses 41 they
socialized with other bird enthusiasts. Birdcage making is one of the cultural symbols of Hong Kong’s unique
identity, representing the city’s connection to traditional Chinese culture and the lifestyle 42 harmony with
nature.
The craft of birdcage making in Hong Kong was listed as an intangible cultural heritage in 2014. While there
has been a decline in 43 (popular), this craftsmanship continues to attract young people to learn it.
Despite the challenges, he believes that with the previous generation 44 (pass) on their knowledge
and the next generation willing to take up the craft, the tradition of birdcage making can 45 (preserve)
and continue.
（三）
（2025·四川南充·二模）
On December 4, 2024, Spring Festival, the social practices of the Chinese people in celebration of their
traditional new year, ____36____ (add) to the Representative List of the Intangible Cultural Heritage of Humanity
by UNESCO, which is an ____37____ (acknowledge) of not only Spring Festival’s Chinese roots but also the
ideas it carries.
Celebrations for the Spring Festival last for 15 days to give full play to family gatherings, feasts, and
____38____ (variety) cultural activities. Among them, the use of fireworks and red decorations holds special
significance.
The fireworks and the red decorations in front of many houses were ____39____ (original) intended to scare
away the beast called nian (year), a beast ____40____ (think) to have hunted people and animals at the turn of the
year. Today, during the Spring Festival, people carry on the tradition of hanging red lanterns, setting off fireworks
in the hope of ridding ____41____ (them) of evil spirits and attracting good luck.
In addition ____42____ the customs on specific days, there are also other interesting cultural symbols and
events related to the festival. Many of these celebrations and events ____43____ have been passed down through
____44____ (generation) are practiced in China, Asia and beyond. They include paper-cuts, the dragon dance and
lantern festival events, together ______45______ (form) the happiest of days for those who celebrate this event.
（四）
（2025·四川达州·二模）
The Derung people, otherwise known as “people dressed in rainbows”, live deep down in ___36___
(valley) carved out by the Derung River near the China-Myanmar border, skilled at fabric’s lively colour
combinations. Estimated to be only around 8,000, this people belongs to one of China’s ___37___ (small) ethnic
groups.
Liu Chengming, aged 32, director of the Shanghai-based sustainable brand Naze Naze, guides local weavers
(编织工) to create fabrics. Then, brand designers perfect them into handbags and blankets, ideal for ladies seeking
___38___ (warm) in airconditioned rooms. At times, he takes some best weavers out to shopping malls in
Shanghai, where they work ___39___ sales assistants, not buyers. Under the direction of marketing managers,
they can gain pride and brand-new insight into this intangible heritage craftsmanship.
___40___ (hope) to promote the craftsmanship of ethnic groups, a large gathering was organized last
November by Liu for Naze Naze weavers across three southwestern provinces. Designers coming from many
Chinese fashion brands ___41___ (draw) inspirations from their creations. Meanwhile, with talents from China
___42___ other countries flocking to southwestern China—home to many ethnic peoples, Liu firmly believes the
locals also expect ___43___ (inspire) by outsiders.
“In Derung dialect, the expression ‘naze naze’ or ‘no hurry’ ___44___ (use) to comfort both oneself and
others during tasks that require time and care, like weaving,” says Liu. He envisions that with the brand’s rapid
growth, there may come a day ___45___ seas of household goods are created and flood into market.
（五）
（2025·四川宜宾、自贡、乐山·二模）
In recent days, the Chinese movie Ne Zha 2 ____36____(storm) overseas cinemas, capturing global
audiences with its amazing visuals, awe-inspiring storytelling, and profound cultural themes.
Ne Zha 2 is the first Chinese movie ____37____(rank) among the 10 highest-grossing movies in the world.
Achieved just 20 days ____38____ its release on January 29, this milestone adds to Ne Zha 2’s growing list of
records.
The movie, rooted in Chinese culture, draws from ____39____ classic tale of Ne Zha, combining fantasy,
adventure and moral lessons ____40____ are well received across generations and cultures. Its innovative
animation style and visual effects also play a crucial role, ____41____(bring) to life a lively world filled with
mythical creatures, epic battles, and breathtaking landscapes.
Beyond technical excellence, it explores profound themes like identity, destiny, and choice. The character of
Ne Zha, a rebellious boy who challenges fate ____42____(brave), showcases universal struggles and aspirations.
His journey of self-discovery encourages viewers to reflect on their own paths and potential for
____43____(transform).
The movie’s rise reflects a shift in China’s film industry. Once ____44____(dominate) by Hollywood,
domestic productions across genres are now surpassing Western films, driven by growing cultural pride, enhanced
storytelling, and rapid ____45____(technology) advancements. This trend signals a changing global film
landscape.
（六）
（2025·四川广安·二模）
In the heart of Nanjing, a group of senior citizens actively participate in ___36___ unique exchange program.
Every Saturday morning, they gather at the community center ___37___ (share) life stories with teenagers. The
program, ___38___ was launched in 2020, aims to bridge the generation gap through meaningful dialogues. Last
week, 72-year-old Mr. Wang moved everyone by ___39___ (describe) his experience of working as a volunteer
during the 2008Beijing Olympics. “45 days taught me the true meaning of cultural exchange,” he said, his eyes
___40___ (fill) with pride. The teenagers, ___41___ turn, shared their perspectives on modern technology’s role
in social connections. What impresses researchers most is the program’s sustainable design. Participants ___42___
(encourage) to co-create activities since its beginning. For example, the “Memory Cookbook” project allows elders
to teach traditional recipes while young people help ___43___ (digital) record the cooking processes. This
combination of oral history and technology preservation has received national ___44___ (recognize) . Looking
ahead, the organizers plan to expand the program to rural areas where aging populations face greater social
isolation. With proper funding and community support, such initiatives may well become a ____45____ (power)
tool for building inclusive societies.
（七）
（2025·四川雅安·二模）
To let its general audience experience the strong festive atmosphere in the museum, on Feb.22-23, 2024, the
China Arts and Crafts Muscum held the “Encounter with Intangible Heritage” event to celebrate the Lantern
Festival. Beijing Shadow Play, ____56____ (list) as a national intangible cultural heritage in 2008, was
showcased.
Chinese Shadow Play, ____57____ origins date back to the Han Dynasty, combines light, carving, and music.
It flourished in the Tang, ____58____ (thrive) in the Song and spread to Western Asia and Europe during the Yuan
Dynasty. Beijing Shadow Play, known ____59____ its elegant models and Beijing opera-style singing, reflects
folk artists’ ____60____ (wise).
Artists led by inheritor Lu Baogang performed traditional stories ____61____ (use) delicate leather figures.
Before performances, they introduced shadow play’s history and various crafting ____62____ (technique).
Figures made from animal skin are controlled behind a screen. The Beijing Shadow Play Troupe, ____63____
(original) called “Lu Family Shadow Play”, developed unique artistic styles influenced by local opera.
During the event, stories like Fan Lihua and The Tortoise and the Crane ____64____ (perform). The
audience, especially children, engaged closely with the art, experiencing traditional culture through ____65____
educational and enjoyable process.
（八）
（2025·四川攀枝花·二模）
“Chaotic” is the word Paulis used to describe his first hour in China, as he tried in vain 36 (pay) for a
drink at the airport. “I’m Italian and I travel a lot; I’m used to being able to solve any problems,” says the 27-year-
old doctor. “ 37 after trying for the first hour, I found it impossible to pay with my credit card. Nothing was
working.”
Paulis managed to resolve his problems by registering with Alipay and WeChat, 38 are the two
dominant payment platforms in China, and was able to “pay like a local,” 39 (achieve) the campaign target
drummed up by the payment apps.
To solve the problems faced by foreign tourists, the Chinese government 40 (make) a push over the
last year to make digital payments more visitor-friendly, and Alipay and WeChat — 41 (found) in 2004 and
2013, respectively — have responded to that call. The apps have made it more 42 (convenience) for
travelers to sign up for their services and spend with them, which is far beyond people’s 43 (imagine).
China 44 (be) traditionally a “cash is king” society, which started to change visibly some 25 years
ago due largely 45 the introduction of online banking. Since then China has gradually transformed into a
mostly cashless society, especially with the rise of smartphones and mobile internet allowing Alibaba and Tencent
to build vast digital ecosystems with mobile payments at its core.
